• Craft

    Attica Locke: That’s a Wrap

    With 'Guide Me Home', Attica Locke Concludes Her Highway 59 Series Featuring Texas Ranger Darren Mathews 

    September 3, 2024  By Nancie Clare
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    Labors of Love: Eli Cranor on Education, Empathy and Experience  

    "The point is how much is enough? And what is the cost of wanting more?"

    August 30, 2024  By John B. Valeri
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    Books In Which Things Are Terrible Even Before the Haunted Cabin Shows Up

    This fall and winter, horror turns to rustic retreats, lakeside vacation spots, and woodsy rentals for setting inspiration

    August 29, 2024  By Molly Odintz
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    Two Sherlockians and a Former Journo Walk into a Zoom Call…

    Nicholas Meyer and Leslie Klinger discuss Meyer’s new 'Sherlock Holmes and the Telegram from Hell.' Nancie Clare listens in and asks one question.

    August 28, 2024  By Nancie Clare
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    Forgive, but Don't Forget: On Redemption in Crime Fiction

    "Forgiveness is not about forgetting; it is about understanding."

    August 27, 2024  By Adam Mitzner
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    My First Thriller: John Gilstrap

    Lightning and serendipity. The rejections never stopped, nor did the money.

    August 22, 2024  By Rick Pullen
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    William Boyle on Discovering Donna Masini and a Great 'Italian-American-Recovering-Catholic-from-Brooklyn' Novel

    Boyle and Polly Stewart revisit Masini's intense, obsessive 'About Yvonne'

    August 22, 2024  By Polly Stewart
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    On Choice, Chance, and Circumstance in Crime Fiction

    Some decisions we make. Some are made for us. Fiction needs to acknowledge what we can (and can't) change.

    August 21, 2024  By James Wade
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    The Dynamism of Growth: William Kent Krueger on Milestones and Making the Familiar Fresh Again

    The author discusses 20 novels with Cork O'Connor

    August 21, 2024  By John B. Valeri
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    Where does Fiction Meet the Real World?

    "All fiction is speculative....But somewhere there is a line between reality and fiction, a gap filled with imagination rather than truth"

    August 21, 2024  By Bridget Collins
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