• Essays

    On Writing a New Take on The Thin Man, Set in Space

    "Nick and Nora in space. The same, but different."

    November 11, 2022  By Mary Robinette Kowal
    0

    The Probable and the Personal: How I Grapple With Writing Violent Fiction

    "If I turn my back on the uncomfortable, ignoring the things that ever lurk in the dark, I allow them to move unhindered..."

    November 10, 2022  By James Wade
    0

    Enola Holmes 2 Delivers

    With a standout sequel, Sherlock's little sister now has one of the more entertaining franchises in mystery.

    November 9, 2022  By Hector DeJean
    0

    On Writing Nonfiction About Violence For A Young Adult Audience

    Four pointers to keep in mind for "presenting ugly realities" to young audiences.

    November 9, 2022  By Sarah Miller
    0

    Threats Around Every Corner—Or, On The What If Questions of Storytelling

    "My heightened way of being is what drew me to write fiction."

    November 9, 2022  By Lynne Reeves
    0

    Adam Oyebanji On His Job In Counterterrorism Finance

    "Suffice it to say that playing hide and seek with a sanctioned person’s assets can get really (and I mean really) complicated."

    November 7, 2022  By Adam Oyebanji
    0

    Boston's Combat Zone: Why Two Authors Were Drawn to the Same 45 Year-Old Crime

    A 1976 murder captured the interest of two Boston-area authors, who took very different approaches to the story.

    November 4, 2022  By Gabriel Valjan and Jan Brogan
    0

    My First Thriller: S.A. Cosby

    The making of a crime fiction sensation.

    November 3, 2022  By Rick Pullen
    0

    Simenon in America

    How Georges Simenon escaped a reckoning at the end of WWII by fleeing to the United States.

    November 3, 2022  By Gregory Galloway
    0

    What Is It About the Wilderness That Lures Writers?

    "Nature isn’t merely a setting in these novels, but a force that propels the story forward."

    November 3, 2022  By Laura Griffin
    0


    Page 121 of 331