The CrimeReads editors make their picks for best new fiction in the world of crime, mystery, and thrillers.
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Angie Kim, Happiness Falls
(Hogarth)
Angie Kim once again combines an intense character study with a searching mystery, this time after her narrator’s husband disappears, and police are interested in quickly pinning it on her nonverbal son. Kim uses the parallel investigations of police and family to explore the complex dynamics of interracial marriage, Asian and biracial identity in America, and the nuances of raising a child with special needs. You’ll want to savor every word as Kim plunges the depths of human action and finds love at the center.–MO
Lou Berney, Dark Ride
(William Morrow)
Berney‘s new novel, Dark Ride, introduces readers to an immediately unforgettable character: Hardly Reed, a twenty-one year old stoner working at an amusement park, breezing through life’s various travails when he comes across a pair of kids he suspects of being abused. When Hardly, against all odds and his own inclinations, decides to get involved and try to help the kids, he soon finds himself pitted against a local lawyer who’s also at the helm of a dangerous drug trafficking operation. Berney brings a compelling human touch to a story that grabs hold of the reader early and never lets go. –DM
Eliza Clark, Penance
(Harper)
Eliza Clark’s Boy Parts stunned me with its grotesque grand guignol violence and reversal of the male gaze, and Penance is just as good, although somewhat kinder to its characters. Penance is a take on the infamous Slenderman case (a real-life case linked to the undiagnosed schizophrenia of one attempted murderer and the folie a deux madness that gripped both her and her friend), but with different motivations for the killers. When three high school girls murder their rival, the world is quick to condemn them for their monstrosity, but as we read the novel, we see that they are monsters made, not monsters born. Of particular note is a scene in which one traumatized character tortures her Sims. I then went down a rabbit hole of how people torture their Sims and…wow. –MO
Tod Goldberg, Gangsters Don’t Die
(Counterpoint)
Goldberg’s Gangsterland series has been one of the standouts in the world of crime fiction in recent years, and now the trilogy is coming to a conclusion with the publication of Gangsters Don’t Die. Sal Cupertino, the hit man on the lam, posing as a rabbi, is one of the more original figures you’ll come across, and now he’s making one last desperate gambit to get his life back. You won’t want to miss these books, so if you haven’t already, brush up on your Goldberg. –DM
Laura Shepherd-Robinson, The Square of Sevens
(Atria)
In this lush gothic, a young girl who knows the art of predicting fortunes becomes ward to a kind intellectual, who raises her in safety and anonymity in 18th-century Bath. As she grows into a poised young woman, she finds herself increasingly curious about her fairy-tale origins, in which her fortune-teller father ran away with her aristocratic mother. When a chance comes to know more of her history, she takes it, even as a larger conspiracy threatens her found family. –MO
Mick Herron, The Secret Hours
(Soho Crime)
Mick Herron, whose Slow Horses series has lately elevated him to the upper echelons of spy novelists, has a new standalone thriller out this month, and it’s a formidable book, revisiting three decades of MI5 misadventures and zeroing in on one scandal in 1994 Berlin that casts the agency’s late Cold War history in a new light. Herron brings a le Carré setup (spies investigating spies) to this exemplary thriller that’s equal parts acerbic and illuminating. –DM
Laura Picklesimer, Kill For Love
(Unnamed Press)
The bored college fifth-year narrating Kill For Love has always been good at suppressing her appetites—you can see it in her carefully counted calories, svelte figure, and attempts to mask her sociopathy from her sisters. But when she kills a man in the act of coitus one night—then devours a meal of greasy meat for the first time in years—she realizes she’s found the one hunger impossible to ignore. Of particular note is how Picklesimer’s language reverses the male gaze as her killer objectifies the frat bros around her and tries to keep from mauling their drunken flesh. –MO
Juan Cárdenas (transl. Lizzie Davis), The Devil of the Provinces
(Coffee House)
A strange, meditative work, The Devil in the Provinces follows a biologist back to his hometown in Colombia as he looks after his mother and is drawn into the mysteries surrounding his brother’s murder. The novel balances a compelling crime story with a willingness to delve into the unexplained phenomena of a life coming untethered. –DM
Joyce Carol Oates (ed.), A Darker Shade of Noir
(Akashic)
Yes, this isn’t a novel, but we’re bending the rules a bit to include it in this round-up because it’s a standout work of fiction and because it’s just such a provocative and incisive collection. Edited by Joyce Carol Oates, the book’s contributor list is a marvel in itself: Margaret Atwood, Tananarive Due, Joyce Carol Oates, Megan Abbott, Aimee Bender, Cassandra Khaw, Lisa Lim, Elizabeth Hand, Valerie Martin, Raven Leilani, Sheila Kohler, Joanna Margaret, Lisa Tuttle, Aimee LaBrie, and Yumi Dineen Shiroma. Prepare yourself for some truly unsettling stories. –DM
Carissa Orlando, The September House
(Berkley)
Carissa Orlando’s The September House uses hauntings as a brilliant metaphor for abuse, and what people can get used to, as well as a prescient comment on the tight housing market. Orlando’s narrator loves her home, and if she needs to ignore some ghostly children, be served tea by a taciturn housekeeper with a gaping face wound, and scrub the blood off the walls once a season, then so be it. Her husband isn’t so good at tolerating the house, but then, she’s learned how to tolerate much more from his treatment of her than she ever expected. When her daughter comes to stay, and her husband goes missing, it’s up to Orlando to continue saying “everything’s fine” for far too long. But the ghost in the basement may finally spur her to action…I found myself cheering at the end of this book, and I really hope it gets picked up as a Ryan Murphy production (post-writers’ strike, that is). –MO
