The Classics of Miami Noir: Long on Beauty, Short on Rectitude

When I wrote the introduction to the original Miami Noir in 2007, I spoke of the relative youth of the city, barely more than one century and one decade old at the time, and of the appropriate fact of the irascible crime story as its reigning literary emblem. There might come a day, I theorized, … Continue reading The Classics of Miami Noir: Long on Beauty, Short on Rectitude