Ah…the quintessential English country house. A rural idyll with all the refinements expected in an enormous manor. Formal dinners after a day spent tromping the extensive pastoral grounds, perhaps working up an appetite shooting pheasant or going out riding with the hounds. Champagne cocktails in the garden, gin in the parlor, scotch in the study, then off to sleep in a freshly turned out four-poster bed and wake to do it all again. A getaway from all the stresses of ordinary life.

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Who wouldn’t long for such an invitation?

Of course, in my novel, Newbourne Park, it’s not the owners who issue the invitation, just a footman who has it on very good authority that the titular estate will be empty for the week—and it’s our heroine, Martha, who discovers that this freebie luxury getaway will in fact cost her dearly.

Because here’s the truth of places meant for the elite. They’re private. Walled-off. Isolated. And if there happens to be a monster taking refuge there alongside you, this little retreat from day-to-day life may very well become a permanent one.

Here are five literary country houses that also play host to devils. Enter at your own peril.

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Rebecca bookcover

Daphne du Maurier, Rebecca

While the first Mrs. de Winter lends her name to the title of this 1938 Gothic classic, it’s Manderley, the house where much of the story is set, that features in the novel’s iconic first sentence, its presence still haunting our heroine years later.

The nature of the monster hidden in its Cornish walls shifts as the tale unspools: perhaps it’s the second Mrs. de Winter’s inscrutable husband, his sadistic late wife, the housekeeper determined to keep her spirit alive, or the underpinnings of class corrupting it all.

The 7 1/2 Deaths of Evelyn Hardcastle bookcover

Stuart Turton, The 7 1/2 Deaths of Evelyn Hardcastle

Threats abound at Blackheath Manor from the moment our poor hapless hero wakes in the woods with his memory erased and a whole slew of possible murderers on his heels. But who? And why? Soon he finds himself trapped on the estate in a ticking clock of a time loop, charged with solving a murder that has not yet occurred, all while dodging deadly opponents and fielding the mysterious machinations of figures out of nightmare.

And to think—this was all just meant to be a ritzy birthday party weekend.

The Cracks bookcover

T.H. Huddleston, The Cracks

What if the only way out of a desperate financial situation is to take up your rich friend’s offer to stay at the historic family home of his aristocratic wife while you get back on your feet? And if you happen to have certain skills in the kitchen, why wouldn’t you take on some of the domestic tasks as a means of showing your thanks? And if the ghosts of Hautmond Hall, perhaps even the house itself, would prefer to keep you in service forever…how on earth can you fight back?

This deliciously satirical horror novel shows that class distinctions are insidiously pernicious traps, even in the year 2026.

Atonement bookcover

Ian McEwan, Atonement

Regret is the ghost that haunts this Booker shortlisted 2001 novel, but the true monster is the narrator herself. Now a successful author, Briony was once a precocious teen whose cosseted childhood  on the fairytale grounds of the Tallis family’s sprawling estate lends her an unearned assuredness…one that ultimately leads to devastation, wrongful imprisonment, and death.

As in so many other tales set in country retreats, class is the killer here—Briony’s privilege tipping into prejudice, the effects of which ripple through the rest of her life.

Mexican Gothic bookcover

Silvia Moreno-Garcia, Mexican Gothic

Moreno-Garcia’s indelible Gothic manor house, High Place, may be tucked away in the mountains of Hidalgo, Mexico, rather than the rolling hills of the English countryside, but it is no less steeped in British colonialism and corruption than the other selections on this list.

As city socialite Noemi soon discovers after visiting this estate to inquire after the well-being of her beloved cousin, this is a house haunted by rot—the kind born of snobbery, inbreeding, misogyny, class division, racism…as well as other, perhaps more naturally occurring menaces that I would not be so devilish as to spoil for readers here.

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Newbourne Park bookcover

Jennifer Thorne

Jennifer Thorne

Jennifer Thorne is the USA Today bestselling author of Diavola and Lute and Newbourne Park, as well as several books for younger readers. With Lee Kelly, she is the co-writer of novels The Midnight Show, My Fair Frauds, The Starlets, and The Antiquity Affair. Born in the US, she now lives with her husband and two sons in the west of England.