October is spooky season! But that doesn’t mean crime fans won’t have plenty to savor in the month ahead. In particular, October is positively stacked with heavy-hitters in the noir and gothic categories. Honestly, there’s like, barely any horror in this list, which is crazy for October. I’ll have to do another list of just October horror…Anyway, here are 11 essential crime novels, mystery, and thriller novels to check out this month. Enjoy!

Article continues after advertisement

Thanks to my fellow CrimeReads editors, Olivia Rutigliano and Dwyer Murphy, who each contributed several blurbs to the following list.

T. Geronimo Johnson, The Occidental Book of the Dead
(William Morrow)

This is the literary crime epic of the year, possibly of the century. T. Geronimo Johnson has woven an emotional powerhouse, a complex conspiracy thriller, a searing indictment of policing, a startling coda on the limits of reform, and a metatextual commentary on the nature of confession. There’s also some Sliding Doors/Rashomon/Usual Suspects layered storytelling. The Occidental Book of the Dead centers around a Black policeman in Atlanta (named Atlantis in the novel, which is full of evocative word play, such as calling racists “rascals”). He’s best friends with his white partner, married to a white schoolteacher, and secret lover of white pop music, all while teaching rookies to crack heads over broken windows in the neighborhood he called home as a child.

After making it a decade on the force, his close proximity to the shooting of a white teenager by another officer begins to cause problems up the ladder. Soon, he’s in the cross-hairs of internal affairs and embroiled in a snowballing series of falsehoods, all resulting in two radically different versions of the same bare-bones tale (both contained within the novel, which is a doorstopper). To describe all this novel’s merits and layers and callbacks and complexities might take as long as it would to read the whole thing. Did I mention it’s a doorstopper? So I’ll shut up now and let you come to the same conclusion. –MO

Elizabeth Kostova, Mystery Play
(Ballantine)

Another great vampire novel, in a year that’s positively full of them! Elizabeth Kostova’s upcoming take on Dracula draws inspiration from both 19th-century theater and the historical horrors of Vlad the Impaler, for an elegant tribute to an iconic story. Mystery Play feels a bit like the Booth family wandered into The Secret History and started eating everyone (and that’s a compliment). Fans of Kostova, historical fiction, and supernatural thrillers should all find much to enjoy—this is one of those books that makes it very difficult to set a demarcation point between mystery and horror. –MO

Michael Connelly, The Hollow
(Little Brown)

Connelly’s newest novel may just be one of his most powerful yet. Longtime readers will be familiar with Harry Bosch’s dark past. Now, thanks to a class action settlement (with the news brought by his half-brother, who has his own Connelly series to lead), Bosch is revisiting his days in a notorious facility for children who have become wards of the state. –DM

Lyndsay Faye, Raven
(Mysterious Press)

Lyndsay Faye’s new novel is a delightful romp through the Gothic, antebellum mid-Atlantic; it tells the story of a young woman shuffling from one temporary home to another after the death of her beloved mother. She passes from a theater troupe through the homes of strange relatives to a laudanum-permeated Baltimore townhouse, and eventually a large manor house where she meets a like-minded young man interested in the occult, searching for an Elixir of life that might help his ghostly invalid cousin. And at some point along the way… our heroine is murdered. Read this book and you’ll be bored nevermore. –OR

Stephen Graham Jones, Off the Reservation
(Saga)

Stephen Graham Jones returns to the world of The Only Good Indians, as the surviving characters accept a mission to rebury a native child who died at a notorious residential school; unfortunately there’s a dark spiritual presence that’s traveling with the soon-to-be-repatriated bones, and ready to wreak havoc along the journey. –MO

Elizabeth Hand, Unspeakable Things
(Little, Brown)

Hand has established herself as one of the most reliably innovative storytellers working the horror and gothic fiction space. This year, we get one of her most seductive novels yet, a portrait of concentrated passion between two young women on the run through the English countryside, washed up in a world of glamor and transgression on the edges of society. –DM

Nafissa Thompson-Spires, The Four Wives and Five Deaths of Richard Milford
(Scribner)

A vibrant historic whodunnit from the author of the acclaimed short story collection The Heads of Colored People, The Four Wives and Five Deaths of Richard Milford is set in 1920s Oklahoma, and it’s about the (long-awaited) death of a notorious moonshiner, womanizer, and generally bad dude—and the four women who can shed some light on the situation, illuminating much, much more than a simple killing. –OR

Nick Medina, Savage Lake
(Berkley)

Nick Medina writes gripping horror-thrillers braided with Native American folklore, and Savage Lake might be his best yet (though that’s saying something, because Indian Burial Ground was really great.) Savage Lake is about a mother, Nell, and a horror-movie-loving son, Oscar, who return to the lakeside cabin where Nell believes part of her once died. They need to fix it up, sell it, and then be done with it forever… but when they get there, the local Native American tribe has the area blocked off, and things start to seem very… wrong. Including, suddenly, his mom. Terrifying. –OR

Tanya Pell, This B Just Won’t Die!
(Gallery)

Scream queen Barbra, previously known as Barbie during her short-lived acting career, is not having a good time. Maybe that’s because she’s been hired to return to Barbie’s Scream House, the original filming location of her iconic horror franchise, hoping to restart her career with a documentary ode to the cult classic.

As the film date approaches, someone’s been committing brutal murders mimicking the OG films, and a stalker dressed as the film’s villain has been leaving terrifying messages for Barbie everywhere she should be able to feel safe. But hey, at least she’s got a new love interest, and her decades-old frenemy relationship with her biggest costar is finally becoming a real friendship. So she’ll stick it out. Even if it kills her. But it won’t, because she is, and always will be, a Final Girl. And she is, and always will be, That Bitch. Time to bloody up your old tee shirt with some preferably fake blood, grab a set of pom poms, and cheer for Barbie to make it to the end of the book. –MO

Adrian Van Young, Rough Beast
(Black Lawrence Press)

Set in a fever dream rendering of the New Orleans metal scene, this new mystery from Adrian Van Young takes readers on a dark journey they won’t soon forget. All the vivid, horrifying details of life in the Big Easy underworld make this a standout novel, with atmosphere to burn and a strong plot unraveling at its center. –DM

Paul Brous, The Undying Lamb
(Rising Action)

When a book starts with a glossary featuring words from several now-dead languages, you just know that it’s going to be impeccably researched. In Paul Brous’ medieval-set thriller, an Albigensian assassin and an English knight must protect a child with an inconvenient lineage, as a vast array of forces attempt to eliminate their vulnerable charge. Perfect for those who enjoyed Conclave, but wish it had been set waaaay further back in history. –MO

Molly Odintz

Molly Odintz

Molly Odintz is the managing editor for CrimeReads and the editor of Austin Noir, now available from Akashic Books. She grew up in Austin and worked as a bookseller before becoming a Very Professional Internet Person. She lives in central Texas with her cat, Fritz Lang.