• Craft

    Crime Fiction Has a Dead Girl Problem

    "we are not props, not catalysts, not collateral damage. We are the point. We are the heroes. We are the center of our stories."

    January 22, 2025  By Gigi Griffis
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    The Russian Roots of American Crime Fiction—and the O.G.

    Joseph Finder on Gogol, Dostoyevsky, and the legacy of transgressive fiction.

    January 16, 2025  By Joseph Finder
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    6 Tips For Pulling Off a Really Good Plot Twist

    Jessie Garcia on the art of distortion and misdirection.

    January 15, 2025  By Jessie Garcia
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    The Subversive Appeal of the Female Stalker Novel

    In real life, we behave. In fiction, we indulge...

    January 15, 2025  By Megan Collins
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    Tech Thrillers "Rooted in the Ever-Mounting Tensions Between Technology and Human Nature."

    Sara Sligar looks at the literature of future shock

    January 15, 2025  By Sara Sligar
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    Presume Nothing: Scott Turow on the Rule of Law, Race, and Revisiting Rusty Sabich

    A wide-ranging conversation with the author of 'Presumed Innocent' and the new 'Presumed Guilty'

    January 14, 2025  By John B. Valeri
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    How To Know If Your Idea Is a Novel or a Screenplay, and Why Thrillers Make Great TV 

    Sandra Chwialkowska on her career in TV writing and her move to writing a novel.

    January 14, 2025  By Sandra Chwialkowska
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    Mackenzie Reed: From Writing Songs to Writing Novels

    "Songwriting laid the foundation for me to know how to tell stories."

    January 10, 2025  By Mackenzie Reed
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    Lifting the Blindfold: Tracy Clark on the Line Between Justice and Vengeance

    Clark discusses her ongoing series and writing about Chicago.

    January 9, 2025  By John B. Valeri
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    My First Thriller: Kate White

    From 'Cosmo' to crime, magazine editor Kate White worked her way up one slice at a time.

    January 9, 2025  By Rick Pullen
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