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    Agustina Bazterrica on Violence, Dystopia, and the Power of Art

    Agustina Bazterrica on Violence, Dystopia, and the Power of Art

    "I write with my burned body about capitalism, about patriarchy."

    By Kevin Canfield | March 6, 2025

    Radha Vatsal on Writing Historical Fiction From a New Perspective

    Radha Vatsal on Writing Historical Fiction From a New Perspective

    Set in New York's Chinatown in the early 20th century, the author's new novel brings a fresh view to the city's history.

    By Scott Adlerberg | March 4, 2025

    Dolores Hitchens and the Early Days of the

    Dolores Hitchens and the Early Days of the "Spinster Sleuth"

    Katherine Hall Page on the legacy of 'Cat's Claw'

    By Katherine Hall Page | March 4, 2025

    Clea Simon on Tumultuous Childhoods and Complex Psychological Thrillers

    Clea Simon on Tumultuous Childhoods and Complex Psychological Thrillers

    The lessons of the past, played out in fiction.

    By Clea Simon | March 3, 2025

    Medicine and Mystery

    Medicine and Mystery

    Why doctors make for natural storytellers.

    By Leonard Goldberg | March 3, 2025

    How to Craft a Mystery in Both a Historical and Contemporary Setting

    How to Craft a Mystery in Both a Historical and Contemporary Setting

    Amanda Flower on matters of timing

    By Amanda Flower | February 28, 2025

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    The Backlist: Reading Megan Abbott's 'Die a Little' with Clémence Michallon

    By Polly Stewart | February 27, 2025

    Psychological Thrillers Are Finally Giving Middle-Aged Women Their Due

    By Cate Ray | February 27, 2025

    Daisy Pearce On Poltergeists, Misogyny, and Coming of Age in a Fractured World

    By Daisy Pearce | February 26, 2025

    Lisa Unger: Why Can’t I Go on Vacation Like a Normal Person?

    Lisa Unger: Why Can’t I Go on Vacation Like a Normal Person?

    "I’ve come to accept, truth be told, that my brain doesn’t like vacations...too much free time, endless dark possibilities."

    By Lisa Unger | February 25, 2025

    Allison Epstein: A Love Letter to the Fictional Thief

    Allison Epstein: A Love Letter to the Fictional Thief

    "As a historical crime writer, there’s one trope I love more than almost anything, and that’s an old-timey thief with an elaborate scheme."

    By Allison Epstein | February 25, 2025

    Kat Dunn On Vampires, Desire, and Queering the Gothic

    Kat Dunn On Vampires, Desire, and Queering the Gothic

    The author of "Hungerstone" talks with Molly Odintz about her new take on Sheridan le Fanu's "Carmilla"

    By Molly Odintz | February 20, 2025

    Emily J. Smith Talks Technology, Dating, and Other Miseries of the Modern World

    Emily J. Smith Talks Technology, Dating, and Other Miseries of the Modern World

    Kate Brody interviews the debut novelist about her searing indictment of Silicon Valley and its intrinsic misogyny

    By Kate Brody | February 19, 2025

    Breaking and Entering: How Deon Meyer's New Novel Snuck Past Genre Boundaries

    Breaking and Entering: How Deon Meyer's New Novel Snuck Past Genre Boundaries

    What really defines the sub-genres of crime?

    By Deon Meyer | February 18, 2025

    Kevin Wade on the Move from Dramatic Writing to His Debut Novel

    Kevin Wade on the Move from Dramatic Writing to His Debut Novel

    The "Bluebloods" showrunner talks with Terry McDonell about his years of writing for the screen and TV, and why he decided to write a crime novel.

    By Terry McDonell | February 17, 2025

    Why Posh London Is Just as Good A Setting For Mysteries as Any Gritty Side Street

    Why Posh London Is Just as Good A Setting For Mysteries as Any Gritty Side Street

    Scratch beneath the stucco of Belgravia, London’s most upmarket residential district, and dark secrets lurk.

    By Orlando Murrin | February 14, 2025

    « First‹ Previous101112131415161718Next ›Last »
    Page 14 of 104
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