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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
Craft
Why Being the Child of a Crime Writer Made It Inevitable I Would Become One
Abbi Waxman on a childhood of library visits and watching her mother at work.
By
Abbi Waxman
| April 17, 2025
Why Are All the Fictional Kids Doing Crimes?
"It’s not often talked about, but criminal activity is kind of a hallmark of YA as a whole"
By
C. L. Montblanc
| April 16, 2025
Max Allan Collins on Continuing the Work of Dashiell Hammett
See a cover reveal and read the afterword for the upcoming "Return of the Maltese Falcon"
By
Max Allan Collins
| April 15, 2025
Robert Jackson Bennett On Crafting a Fantasy Murder Mystery
"It seems a curious choice, I suppose, to take a world of such huge stakes and instead focus on the small things"
By
Robert Jackson Bennett
| April 14, 2025
Jonathan Ames on Macdonald, Westlake, and Bringing a Touch of Buddhism to the Private Eye Novel
Tom Nolan and Jonathan Ames in a wide-ranging discussion of crime fiction past and present.
By
Tom Nolan
| April 14, 2025
The Mystery of the African Gothic Novel
Siphiwe Gloria Ndlovu on the long and satisfying process of decoupling horror fiction from colonialist fears
By
Siphiwe Gloria Ndlovu
| April 11, 2025
Best Reviewed
Books of the Week
A Duty of Care: Barbara Early on Doing Justice to Jessica Fletcher
By
John B. Valeri
| April 11, 2025
Eric Rickstad and Don Winslow on Suspense, Serial Killers, and Dismantling Pop Culture Myths
By
Don Winslow
| April 10, 2025
Lost Grandeur: Decaying Settings in Fiction
By
C.J. Dotson
| April 9, 2025
Three Kinds of Freak: Writing Heroes and Stories that Dismantle the Status Quo
Zee Carlstrom on writing more interesting characters.
By
Zee Carlstrom
| April 9, 2025
Belinda Bauer On Obsession, Greed, and the Dangerous World of Rare Egg Trafficking
"[E]very word is fighting for space on the page and on the screen...I get in, I say what I need to, and I get out."
By
Jenny Bartoy
| April 9, 2025
Molly Harper on Using Romantic Subplots to Help Characters Solve Mysteries
"I can’t fathom writing a story that doesn’t have some romance element to it."
By
Molly Harper
| April 8, 2025
Why Tariq Ashkanani Chose to Set His New Novel in America
"There is freedom in being able to play a little fast and loose with the rules, a recurring motif that I find predominantly in US fiction."
By
Tariq Ashkanani
| April 8, 2025
Remembering the Bleak, Beautiful Poetry of Ken Bruen's Noir
Bruen wrote unflinchingly of the darkest parts of society, and his Jack Taylor series was the epitome of noir style.
By
Scott Montgomery
| April 7, 2025
High Net Worth Victims: Why We Love our Murderees to be Filthy Rich
"Killing the rich—in literature at least—appears to come with a built-in motive, one that likely implicates us all."
By
Matt Plass
| April 7, 2025
How Grady Hendrix Came to Love Horror
Read an excerpt and see the cover reveal for the new anthology "Why I Love Horror: Essays on Horror Literature", edited by Becky Siegel Spratford
By
Grady Hendrix
| April 4, 2025
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