Craft

On Writing A Five Book Series That Can Be Read In Any Order

Lee Matthew Goldberg on the art of writing a series in which each can be read as a standalone.

October 17, 2022  By Lee Matthew Goldberg
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Thrillers Featuring Characters with Memory Disorders

How realistic are these recent psychological thrillers? A scientist and crime writer considers.

October 14, 2022  By Bradeigh Godfrey
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5 Uniquely Chicanx/Latinx Representations in Crime Fiction

These novels by writers from historically marginalized communities create rendezvous-points of cultural negotiation by appropriating major commercial genres.

October 13, 2022  By Christopher David Rosales
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Get Some Perspective: How Crime Novels Use POV to Reveal Their True Mysteries

Adam Hamdy on the delicate craft of perspective in suspense

October 11, 2022  By Adam Hamdy
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The Literary Blood Feud between Raymond Chandler and Ross Macdonald

Or, The Way Some Crime Writers Decry...

October 7, 2022  By Curtis Evans
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Using Fear to Fuel My Fiction

Amy Christine Parker on the creative impact of fear on a fertile imagination.

October 7, 2022  By Amy Christine Parker
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Writing a (Twisted) Love Letter to Murder, She Wrote

"[U]nderneath all that coziness is an unspoken edge watching through a modern lens."

October 7, 2022  By Alexa Donne
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Isaac Blum on Writing a Young Adult Novel to Respond to Antisemitic Violence

"[I]t was important to me to show that this kind of thing can happen anywhere in this country, at any time..."

October 6, 2022  By Isaac Blum
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Jennifer Givhan: Becoming the Bruja My Ancestors Needed

On brujería and slaying demons on the page.

October 5, 2022  By Jennifer Givhan
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From Surviving Evil to Prosecuting Evil to Writing Evil

"I was 30 when I first prosecuted a child sexual abuse case, the eventual focus of my life’s work as an attorney."

October 5, 2022  By Roger A. Canaff
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