Craft

What Is It About the Wilderness That Lures Writers?

"Nature isn’t merely a setting in these novels, but a force that propels the story forward."

November 3, 2022  By Laura Griffin
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History Is Shouting…All You Need to Do Is Listen

"What could a story set in 1913 have to say about life in 2022?" Plenty!

November 2, 2022  By Laura Ann Gilman
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Yeah Noir: Discovering New Zealand Crime Fiction

Four Kiwi authors you should be reading now.

November 1, 2022  By Jacqueline Bublitz
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What Can We Learn From A 1794 Novel About Turning Points In Crime Fiction?

"The reader can see the seed of many other stories of crime fiction in Caleb Williams..."

November 1, 2022  By Heather Redmond
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Erika T. Wurth on Writing Native Horror During a Horror Renaissance

"[T]here’s something compelling about a genre that allows people satisfaction, potentially, with an unhappy ending..."

October 31, 2022  By Erika T. Wurth
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Why I Write Feminist Fairy Tales

Or, how I gave up on "having it all" and found a new truth in writing darkness.

October 27, 2022  By Menna Van Praag
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Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

And why there's no point in trying to organize a bookshelf.

October 25, 2022  By CrimeReads 
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A Writer Confronts the South’s Tradition of Racist Terror

Or, why I was afraid to bring my daughter to Alabama

October 25, 2022  By Ousmane Power-Green
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The Story of the Nail, or The Birth of a Writer

"No one needs this story. It’s only important to me."

October 20, 2022  By Zhang Yueran
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Gossip Girl, But Make It a Thriller

"The wealth on display in a drama like Gossip Girl is sometimes absurd but always enticing...by contrast, the wealth on display in a thriller can feel menacing."

October 19, 2022  By Ann Liang
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