• Culture

    Why Do the French Love American Noir?

    Exploring France's Undying Love for American Crime Fiction

    January 30, 2019  By Gabino Iglesias
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    Counting Down the Greatest Crime Films of All-Time: #87

    Reservoir Dogs (1992)

    January 30, 2019  By Otto Penzler
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    Pop Culture's Black Dahlia Obsession

    The Many Versions of an Infamous Crime

    January 28, 2019  By Camille LeBlanc
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    Why Spiral Doesn't Deserve To Be Compared to The Wire

    On the Casual Racism and Muddled Politics of the French Crime TV Hit

    January 25, 2019  By Radha Vatsal
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    James Lee Burke on Art, Addiction, and Making Movies

    New Cases and New Demons for Dave Robicheaux

    January 25, 2019  By Dwyer Murphy
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    The Evolution of Harry Bosch

    How Michael Connelly's Bosch and L.A. Have Changed Together

    January 24, 2019  By Bruce Riordan
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    Counting Down the Greatest Crime Films of All-Time: #90

    High Sierra (1941)

    January 23, 2019  By Otto Penzler
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    Announcing the 2019 Edgar Nominees

    The Mystery Writers of America Celebrate the Year's Best

    January 22, 2019  By CrimeReads 
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    Nicholas Blake: A Crime Reader’s Guide to the Classics

    A Poet Laureate, a Committed Radical, and a Master of Mystery

    January 18, 2019  By Neil Nyren
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    Why Conspiracy Thrillers Are More Relevant Than Ever

    Matthew Quirk on Writing Political Thrillers in a World Gone Mad

    January 16, 2019  By Steph Cha
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