• Essays

    How to Edit a Series of Crime Novellas with 30 Different Authors and Come Out the Other Side Feeling Grateful

    Frank Zafiro reflects on 'A Grifter's Song' as the ambitious anthology series reaches a conclusion.

    November 8, 2023  By Frank Zafiro
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    Lee Goldberg on Westerns, Crime Novels, and Writing A Genre Mash-Up

    Some genres are just destined to be together.

    November 7, 2023  By Lee Goldberg
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    Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

    On Crime Storytelling and Why Aiming for Closure Can Be Problematic

    November 7, 2023  By Lindsay Hunter
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    From Sports Reporter to Crime Writer

    Or, how athletes and thriller heroes have a surprising amount in common when it comes to mental, and physical, toughness

    November 7, 2023  By Elise Hart Kipness
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    Native American Novels, Recommended by Indigenous Booksellers

    Vanessa Lillie interviews Native booksellers about their picks for Native American Heritage Month.

    November 6, 2023  By Vanessa Lillie
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    A Childhood Full of Love and Death: On Growing Up With a Father in Forensics

    My father's profession wasn't just the spark for my writing career, but the foundation for a healthier attitude towards death itself.

    November 3, 2023  By Jennifer Graeser Dornbush
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    The Real Life Marital Imbroglio of Ernie Sherry, Son of Crime Writer Edna Sherry

    Edna, Ernie and the Fabulous Baker Girls

    November 3, 2023  By Curtis Evans
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    A Cultural History of the Erotic Thriller

    David Masciotra on the golden age of the erotic thriller and the direct-to-video pipeline that kept it all going.

    November 2, 2023  By David Masciotra
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    James Kennedy: "Storytellers are manipulative cult leaders."

    Or, a few useful pointers on how to brainwash your reader ahem...draw people into your narrative

    November 2, 2023  By James Kennedy
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    Sudden Death and the Startlement of Absence

    On writing to exorcise "the tendrils of some horror we can’t quite process"

    November 2, 2023  By Matt Phillips
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