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    • True Crime
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    James Ellroy Reveals the Real Reason He Writes

    James Ellroy Reveals the Real Reason He Writes

    "Disingenuousness is a sin. I’m writing this essay in the spirit of atonement. My ongoing biography should be revised to reflect this..."

    By James Ellroy | September 7, 2023

    Joyce Carol Oates on Women and the Roots of Body Horror

    Joyce Carol Oates on Women and the Roots of Body Horror

    In a new collection, the author is gathering women writers to explore A Darker Shade of Noir

    By Joyce Carol Oates | September 6, 2023

    Dorothy L Sayers and the Thirty-Foot Drain: Searching for Peter Wimsey

    Dorothy L Sayers and the Thirty-Foot Drain: Searching for Peter Wimsey

    James R. Benn goes on a quest to discover the original inspiration for Sayers' iconic war-weary character.

    By James R. Benn | September 6, 2023

    The Cowboy as Detective: Finding Charlie Siringo’s West

    The Cowboy as Detective: Finding Charlie Siringo’s West

    Charlie Siringo’s frontier life filled five autobiographies. His book about his two decades “playing outlaw” as a Pinkerton operative provoked the agency’s long campaign to silence him, and inspired American crime writers such as Dashiell Hammett. “When the final call comes,” Siringo judged toward the end, “I shall have to take my medicine, with Satan holding the spoon.” 

    By Nathan Ward | September 5, 2023

    From Punchline to Protagonist: Black Horror and the Monsters Who Hunt

    From Punchline to Protagonist: Black Horror and the Monsters Who Hunt

    "Modern Black horror turns the mirror inward, putting the lens on societal dread and the monsters hidden in plain sight"

    By Lisa Springer | September 5, 2023

    It’s All Relative: Horror’s Worst Families

    It’s All Relative: Horror’s Worst Families

    "All happy families are alike; every horror family is horrific in its own way."

    By Rachel Harrison | September 5, 2023

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    The Writer as Magpie

    By Lucy Burdette | September 1, 2023

    Bigfoot Is in the Woods, Our Hearts and Our Nightmares

    By Keith Roysdon | August 31, 2023

    Texas: Home to Bizarre True Crimes (And So Many Serial Killers)

    By Stephen G. Michaud | August 31, 2023

    Dementia in Crime Fiction: Rage and The Ticking Clock

    Dementia in Crime Fiction: Rage and The Ticking Clock

    Hugh Lessig on what it means to write a character with dementia.

    By Hugh Lessig | August 30, 2023

    A Mystery Novelist Feeds His Chickens

    A Mystery Novelist Feeds His Chickens

    Martin Walker on the daily delights of gathering scraps "pour mes poules."

    By Martin Walker | August 29, 2023

    Skewing the Murder Mystery With an Animal's Point of View

    Skewing the Murder Mystery With an Animal's Point of View

    On Animals As Sleuths (and Culprits)

    By Leonie Swann | August 28, 2023

    Toulouse: Murder in the Pink City

    Toulouse: Murder in the Pink City

    Crime and the City travels to the southwest of France, finding a major hub for crime fiction.

    By Paul French | August 28, 2023

    To Film and Thrive in L.A.: Three Lesser-Praised Friedkin Films Are Classics

    To Film and Thrive in L.A.: Three Lesser-Praised Friedkin Films Are Classics

    A closer look at 'Sorcerer,' 'Cruising,' and 'To Live and Die in L.A.'

    By Keith Roysdon | August 25, 2023

    On Healing and the Aftershocks of Trauma

    On Healing and the Aftershocks of Trauma

    Brooke Beyfuss considers the lingering effects of extreme situations.

    By Brooke Beyfuss | August 24, 2023

    Every Novel Is a Cult Novel

    Every Novel Is a Cult Novel

    Blair Hurley on religion, obsession, and cultlike thinking.

    By Blair Hurley | August 23, 2023

    « First‹ Previous717273747576777879Next ›Last »
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