The CrimeReads editors select the month’s best novels in crime fiction, mystery, and thrillers.
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Colson Whitehead, Crook Manifesto
(Doubleday)
Pulitzer Prize winner Whitehead continues his journey through the history of modern New York City, this time taking on the 1970s, as the cast of characters from Harlem Shuffle get swept up in political action, civil unrest, corrupt policing, the rise of Blaxploitation culture, and more. It’s a rich backdrop for Whitehead’s powerful human dramas, and he paints a vivid portrait of people moving between the straight and the crooked world, just trying to get by. –DM
Ayesha Manazir Siddiqi, The Centre
(Gillian Flynn Books)
What would you do to be part of the most elite language academy ever established? And what would you be willing to keep secret? The Centre follows a struggling translator who learns of a place where people can go to become completely fluent in a new language in mere days of effort. She is determined to reap the rewards, but shocked when she begins to find out the dark secrets underpinning the secretive institution. A vicious and entertaining speculative satire of late-stage capitalism. –MO
John Milas, The Militia House
(Henry Holt)
In this military horror novel, a rare but hopefully growing subgenre, American soldiers stationed near the ruins of an old Soviet outpost in Afghanistan find themselves in the midst of strange happenings, unexplained disappearances, and disturbing visitors. Milas is a wordsmith, and this novel is as haunting as it is impressive. –MO
Jessica Ward, The St. Ambrose School for Girls
(Gallery)
In Jessica Ward’s 90s-set novel, a girl arrives at boarding school ready to stand out in her all-black wardrobe, but hoping to keep her mental health history private. When the queen bee of the school begins to mercilessly pick on her, things escalate quickly, and when a body is found, Ward’s narrator finds herself unable to trust anyone, including herself. Ward treats the subject of bipolar disorder with respect while still crafting a complex psychological thriller. –MO
Dwyer Murphy, The Stolen Coast
(Viking)
If the lovers at the heart of Casablanca had met about 30 years later, and had a kid, and then that kid and his dad started a business, then the story might have gone something like Dwyer Murphy’s upcoming New England beach thriller, The Stolen Coast. Murphy’s lawyer hero and his retired spy dad have an unusual business helping people on the run, using the legions of homes left abandoned outside of the summer season. When an ex-girlfriend shows up with a plan for a diamond heist, the risks of an already-dangerous job go through the roof, but the rewards may just be big enough to be worth it. –MO
Liz Nugent, Strange Sally Diamond
(Gallery/Scout)
Sally Diamond has led a quiet life for decades, with her own peculiar habits, without bother. Then her father dies, she burns the corpse in the incinerator, and she becomes an object of much curiosity indeed. Liz Nugent finds much empathy for her strange heroine, whose heartbreaking backstory slowly comes to the fore, interspersed with Sally’s journey from isolation to beloved community member. There’s the usual trademark Liz Nugent disturbing content, but with a heart-felt dose of humanity to balance things out. –MO
Laura Lippman, Prom Mom
(William Morrow)
I promise you—I swear to you—that Prom Mom means something very different than what you’re thinking! I’m not going to spoil it. I’m just going to say that Laura Lippman’s incredibly layered and tense COVID-era thriller tells multiple stories about its main characters, a man and a woman whose pasts are linked by tragedy and tawdry gossip, and whose current lives are connected by something more powerful: the desire for a second chance. –OR
Laura Sims, How Can I Help You
(Putnam)
Laura Sims’ latest is a Highsmithian cat-and-mouse thriller featuring two librarians: Margo is hiding something, and Patricia is obsessed with discovering her secrets. A suspicious death of a patron becomes the catalyst for curiosity and a looming, explosive confrontation in this uneasy thriller. Sims’ work harkens back to the complex personality studies of mid-century psychological fiction, and pays homage to middle-aged womanhood—serial killers age too, after all.–MO
Kelly J. Ford, The Hunt
(Thomas & Mercer)
An Easter egg hunt in Presley, Arkansas is the unlikely springboard for a serial killer’s diabolical plot in Kelly J. Ford’s newest standout thriller. Ford takes all that small-town rumor and agitation and burns it down to its purest form, where every incident is loaded with significance and the race to untangle truth from supposition becomes almost impossible. Ford pulls off the high-wire act with coolness and style to spare. –DM
James Lee Burke, Flags on the Bayou
(Atlantic Monthly Press)
James Lee Burke trains his formidable talents on a sweeping epic of post Civil War bayou country, and the result is every bit as complex and searching as you would expect. The story involves women on the run, men fleeing their demons, and a country in tatters. The rest is well worth the read to find out. Burke is contemporary crime fiction’s reigning poet, and his work remains absolutely electric. –DM
