• Features
    • Essays
    • Interviews
    • Reading Lists
    • New Nonfiction
  • Culture
    • TV & Film
    • Podcasts
    • Craft
    • Awards/Festivals
  • True Crime
  • Daily Thrill
  • Genres
    • Mystery
    • Noir/Hardboiled
    • Suspense
    • Espionage/Thriller
    • Legal/Procedural
  • Literary Hub
  • Book Marks
  • Features
    • Essays
    • Interviews
    • Reading Lists
    • New Nonfiction
  • Culture
    • TV & Film
    • Podcasts
    • Craft
    • Awards/Festivals
  • True Crime
  • Daily Thrill
  • Genres
    • Mystery
    • Noir/Hardboiled
    • Suspense
    • Espionage/Thriller
    • Legal/Procedural
  • Literary Hub
  • Book Marks

Home Articles posted by Christopher Fowler

Christopher Fowler

Christopher Fowler
Christopher Fowler is the author of Bryant & May: Oranges and Lemons. Fowler is the acclaimed author of the award-winning Full Dark House and the other Peculiar Crimes Unit mysteries: The Water Room, Seventy-Seven Clocks, Ten Second Staircase, White Corridor, The Victoria Vanishes, Bryant & May on the Loose, Bryant & May off the Rails, The Memory of Blood, The Invisible Code, Bryant & May and the Bleeding Heart, Bryant & May and the Burning Man, and most recently Bryant & May: Hall of Mirrors. In 2015, Fowler won the coveted Crime Writers’ Association Dagger in the Library Award in recognition for his body of work. He lives in London.


‘Funny, How?’ Why Comedy is Crucial in Crime Writing

From the earliest days of crime fiction, humor has always been one of the author's most important weapons.

January 11, 2021  By Christopher Fowler
0

7 Things Crime Readers Will No Longer Tolerate

Crime fiction is getting harder to write—and that's a good thing.

December 10, 2019  By Christopher Fowler
0

Is Crime Fiction Allowed
to Be Funny?

The Tricky Business of Balancing Humor and Crime

December 3, 2018  By Christopher Fowler
0



  • RSS

    • RSS - Posts
  • CrimeReads

    Masthead

    About

    Advertisers: Contact Us

    Privacy Policy

  • Twitter

    My Tweets

  • © LitHub
    Back to top