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Espionage/Thriller

What Do CIA Analysts and Investigative Journalists Have In Common?

Both rely on covert sources. Both piece together puzzles. And both can be risky—and rewarding.

Colombo – Writing Crime in a Nation Once Torn Apart by Violence

A look at the crime and mystery literature of Sri Lanka's largest city

Eight Science Fiction and Fantasy Heist Novels

Matt Bell explains why the heist might just be the perfect worldbuilding tool.

Intersectional Feminist Spy Fiction: A Conversation with Aya de Leon, Lauren Wilkinson, and Rosalie Knecht

Three authors driving the evolution of espionage fiction.

A Thriller Writer's Ode To the Terror, Uncertainty, and Adventure of the Wilderness

"What if it doesn't stop raining and our bedding/food gets wet? What if someone falls/gets lost/gets bitten by a snake?"

I Wrote A Thriller to Channel My Post-Partum Anger. Then The Pandemic Hit.

"It no longer felt like I was just writing about the 1950s and the domestic cage—it felt like I was living it."

When You Can’t Call the Cops

Michele Weinstat Miller endured rape, incarceration, and addiction and later became an attorney. She decided to write a thriller about people who don't feel safe calling the police.

A Brief History of Cognac's POLAR Festival

Since 1996, the city of Cognac has celebrated the art of the thriller with a convention that draws fans and authors from all over.

Murder on the Move: Suspense Novels Set on Trains, Boats & Transport

Louise Candlish on the long, proud tradition of setting mysteries on moving vehicles.

What Do You Read When the World Is Falling Apart?
Spy Fiction, Of Course.

Or, how reading Philip Kerr, Alan Furst, and John le Carré can help in processing overwhelming events.

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Espionage/Thriller

Both rely on covert sources. Both piece together puzzles. And both can be risky—and rewarding.

A look at the crime and mystery literature of Sri Lanka's largest city

Matt Bell explains why the heist might just be the perfect worldbuilding tool.

Three authors driving the evolution of espionage fiction.

"What if it doesn't stop raining and our bedding/food gets wet? What if someone falls/gets lost/gets bitten by a snake?"

"It no longer felt like I was just writing about the 1950s and the domestic cage—it felt like I was living it."

Michele Weinstat Miller endured rape, incarceration, and addiction and later became an attorney. She decided to write a thriller about people who don't feel safe calling the police.

Since 1996, the city of Cognac has celebrated the art of the thriller with a convention that draws fans and authors from all over.

Louise Candlish on the long, proud tradition of setting mysteries on moving vehicles.

Or, how reading Philip Kerr, Alan Furst, and John le Carré can help in processing overwhelming events.

Get the Crime Reads Brief

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