Suspense

Motherhood Does Not Kill Creativity

Natasha Bell on the Double Standards for Women Artists

March 21, 2018  By Natasha Bell
2

Jonathan Kellerman and the Dark Psychology of Crime

Probing the Mind Behind Alex Delaware

March 21, 2018  By Mark Rubinstein
0

Too Close to Breathe

Olivia Kiernan

"There hadn't been a suicide note. The victim remains resolutely tight‑lipped, stone‑cold silent; the best and the worst witness of her end."

March 19, 2018  By CrimeReads Excerpts
0

Why Agatha Christie Is
Still the Queen of Crime

The Deeply Human Puzzles of Mystery's Famous Master

March 14, 2018  By Laura Thompson
0

We Write About Violence Because It's Still Happening

Clare Mackintosh Won't Ignore Violence Against Women

March 13, 2018  By Matthew Coleman Turbeville
0

Alison Gaylin's Crime Fiction
for the Social Media Era

Mining Teenage Archetypes and Suburban Myths

March 12, 2018  By Lisa Levy
0

Beast in View

Margaret Millar

"She stared at what she had written, subconsciously aware that a mistake had been made but not seeing it at first. It looked so right, somehow: I hope that all is hell with you and Douglas."

March 10, 2018  By CrimeReads Excerpts
0

The Winter Station

Jody Shields

"When Andreev said two bodies had been discovered outside the Kharbin train station, the Baron had an image of the dead men sprawled against snow, frozen in positions their bodies couldn’t hold in life."

March 6, 2018  By CrimeReads Excerpts
0

The Woman in the Window

A.J. Finn

“My French leçon today, and Les Diaboliques tonight. A rat-bastard husband, his “little ruin” of a wife, a mistress, a murder, a vanished corpse.”

March 6, 2018  By CrimeReads Excerpts
0

Why I Turned From Writing Romantic Comedies to Thrillers

On Switching Genres and Discovering a New Way of Writing

November 17, 2017  By C.L. Taylor
0


Page 28 of 29