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Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
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Daily Thrill
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Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
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Culture
This Isn’t The End: What To Do When Your Publisher Dies
It's an author's nightmare, but you're not alone. James Queally talks with writers who have been through a publisher's demise.
By
James Queally
| August 20, 2024
10 New Books Coming Out This Week
New offerings from the world of crime, mystery, and thrillers.
By
CrimeReads
| August 19, 2024
The Irresistible Pull of an Anonymous Note—Why the Most Frightening Possibility Is All of Them
Elizabeth Staple on dread, and what it does to us.
By
Elizabeth Staple
| August 19, 2024
Meet Thomas Byrnes, Gilded Age New York's Performative, Corrupt Police Detective
He staged elaborate scenes to extract confessions, presented prisoners to police in a "parade," and invented the "Rogues' Gallery"
By
Olivia Rutigliano
| August 15, 2024
Crime Fiction Must Not Ignore Computer Crime
"The internet is now ubiquitous in our lives, so why does it appear so rarely in popular literature?"
By
Stephen Harrison
| August 14, 2024
Genre Primeval: How the Western Evolved into the Crime Novel
Snowden Wright on Elmore Leonard and the evolution of an American icon.
By
Snowden Wright
| August 13, 2024
Best Reviewed
Books of the Week
Katrina Monroe on Eldest Daughter Syndrome
By
Katrina Monroe
| August 13, 2024
Zoje Stage: My Quest for Realism in Genre Fiction
By
Zoje Stage
| August 13, 2024
The Rockford Files and the Allure of the Shady PI
By
Keith Roysdon
| August 12, 2024
Presenting
Série Noire,
the Bleak French Neo Noir You've Never Seen
It's Alain Corneau's classic adaptation of a Jim Thompson novel.
By
Olivia Rutigliano
| August 9, 2024
5 Iconic 1990s Thriller Films
"The thing that made these movies...was the fact that the villains started off seeming like regular people."
By
Liz Alterman
| August 9, 2024
Sam Tschida: Write Like a Mother
On finding the time and inspiration to spend "several hours a day with people you made up."
By
Sam Tschida
| August 8, 2024
Scarface
vs.
Scarface
Looking at Brian de Palma's 1983 classic alongside the 1932 Howard Hawks film that inspired it.
By
Olivia Rutigliano
| August 7, 2024
All These Houses Are Haunted: How (and Why) Horror is the Perfect Hybrid Genre
"When taken from the right perspective, every story is a horror story"
By
Matthew Lyons
| August 7, 2024
Why the Epistolary Format Works So Well in Crime Fiction
"Letters are a great way to manipulate your vict—I mean, audience."
By
Joshua Chaplinsky
| August 7, 2024
On Bram Stoker's Forgotten
Dracula
Play
It's not good... but it IS a play
By
Olivia Rutigliano
| August 2, 2024
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