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  • Craft

    Crime Fiction and the Power of Verisimilitude

    Deon Meyer searches for an answer to the eternal question: what's the best way to get rid of a body on a train?

    September 3, 2020  By Deon Meyer
    0

    You Don't Have to Be a Genre Writer to Explore Genre

    6 genre-bending classics that prove the merit of mixing things together for spectacular results.

    August 31, 2020  By Chris Mooney
    0

    We Need Crime Fiction, Because the Real World Is a Dark and Dangerous Place

    Forging Empowerment from Darkness and Despair

    August 31, 2020  By Tori Eldridge
    0

    Why The Sting Is Still the Ultimate Grifter Movie

    In George Roy Hill's legendary confidence game, seeing is both believing and make-believing.

    August 27, 2020  By Olivia Rutigliano
    0

    Memories of a Coroner's Daughter

    How Growing Up With The Dead Made Me Into A Crime Writer

    August 27, 2020  By Jennifer Graeser Dornbush
    0

    Carl Hiaasen on Palm Beach, Slithery Characters, and Florida Crime Fiction

    The author's latest novel takes on absurdity and corruption in the Mar-a-Lago set.

    August 25, 2020  By Dwyer Murphy
    0

    How Are Crime Authors Going to Address the Pandemic in Their New Books?

    Wendy Corsi Staub talks with today's authors to find out how they're tackling the new era of COVID.

    August 25, 2020  By Wendy Corsi Staub
    0

    Uva de Aragón: "A Novel Is a Closed World"

    Teresa Dovalpage and Uva de Aragón discuss Cuban fiction, food, and writing across languages.

    August 25, 2020  By Teresa Dovalpage
    0

    Learning to Write
    From My Mother

    Some writers are self-taught. Some go to school. And some learn from family what it means to craft a story.

    August 24, 2020  By Peter Abrahams
    0

    What Is the Canadian Dream? And How Do You Write About It?

    In part two of a roundtable discussion, women crime authors discuss systemic injustice, police brutality, and pandemic writing.

    August 21, 2020  By Lisa Levy
    0


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