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    • Culture
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    • True Crime
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    The Beat Goes On: Michael Connelly on Words, Writers & 'The Waiting'

    The Beat Goes On: Michael Connelly on Words, Writers & 'The Waiting'

    A new Ballard and Bosch novel examines L.A.'s most notorious unsolved murder: the Black Dahlia case.

    By John B. Valeri | November 26, 2024

    Is 'The Penguin' the Bloody, Nihilistic Crime Saga We Need Right Now?

    Is 'The Penguin' the Bloody, Nihilistic Crime Saga We Need Right Now?

    "Like all other virtues, sincerity is a sham in Gotham City–another costume."

    By Hector DeJean | November 26, 2024

    How 'Outer Banks' Became the New Generation's Hardy Boys

    How 'Outer Banks' Became the New Generation's Hardy Boys

    The teen adventure series leans into a rich literary tradition.

    By Keith Roysdon | November 22, 2024

    The Ghosts of <br><em>Tough Guys Don't Dance</em>

    The Ghosts of
    Tough Guys Don't Dance

    Norman Mailer's novel, and the film adaptation he directed himself, steep in noir so deeply that they flirt with horror.

    By Olivia Rutigliano | November 20, 2024

    The Outsized Impact of George Cukor's

    The Outsized Impact of George Cukor's "Gaslight"

    The movie masterpiece spawned a psychological analysis and a host of crime novels

    By Bonnie Kistler | November 19, 2024

    Six Cat-And-Mouse Movie Capers for When You Feel Like Going on the Run

    Six Cat-And-Mouse Movie Capers for When You Feel Like Going on the Run

    Wild rides, madcap adventures, and plucky protagonists in way over their heads

    By Lee Kelly and Jennifer Thorne | November 19, 2024

    Best Reviewed
    Books of the Week

    • Luna, Phoenix, Queen
    • Music Against the Night
    • Peck & Peck
    • The Best Kind of American: A True Story of Murder, War, and America's Undoing in the Middle East
    • The End of Everything
    • Morbid: Debunking Modern Longevity Science
    • American Socialist: The Life and Legacy of Eugene V. Debs
    • Solace House
    • On Another Planet They Can Save Me
    • Reds: A Global History of Communism

    The Magic of a Quincy Jones Film Score

    By Michael Gonzales | November 7, 2024

    Victorian Detectives on the Stage!

    By Olivia Rutigliano | November 1, 2024

    Looking Back at Heist Film "Quick Change", In Which Bill Murray Plays a Sad, Sad, Clown

    By Patrick J. Sauer | November 1, 2024

    “Elsbeth” Takes it Cues from Cozy Mysteries 

    “Elsbeth” Takes it Cues from Cozy Mysteries 

    The oddball sleuth uses her quirks — and others' low expectations of her — to solve murders 

    By Elizabeth Held | November 1, 2024

    Which Horror Movie Villains Would Make the Best Detectives?

    Which Horror Movie Villains Would Make the Best Detectives?

    It's not exactly an age-old question, but it intrigues us nonetheless.

    By Olivia Rutigliano | October 30, 2024

    A New Season of 'The Diplomat' – Political Intrigue in a Time of Political Intrigue

    A New Season of 'The Diplomat' – Political Intrigue in a Time of Political Intrigue

    Is it possible to enjoy a highly enjoyable series at just this moment?

    By Keith Roysdon | October 30, 2024

    <em>Conclave</em> is Excellent, Praise the Lord

    Conclave is Excellent, Praise the Lord

    Edward Berger's taut, subtle papal thriller is a quiet masterpiece

    By Olivia Rutigliano | October 25, 2024

    How Kevin Costner's Maligned Epic – 'The Postman' – Offered a Glimpse into America's Future

    How Kevin Costner's Maligned Epic – 'The Postman' – Offered a Glimpse into America's Future

    David Masciotra revisits the 1997 film and finds a message about a divided nation and the rise of fascism.

    By David Masciotra | October 18, 2024

    On Charles Dickens's Unfinished Murder Mystery

    On Charles Dickens's Unfinished Murder Mystery

    "The Mystery of Edwin Drood" is a neverending web of unanswered questions

    By Olivia Rutigliano | October 11, 2024

    Skipping School in <em>The 400 Blows</em>

    Skipping School in The 400 Blows

    Olivia Rutigliano reads a pivotal scene from François Truffaut’s 1959 classic film.

    By Olivia Rutigliano | October 4, 2024

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