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    • True Crime
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    C. William Langsfeld on Nature, Trauma, and the Healing Power of the Wilderness

    C. William Langsfeld on Nature, Trauma, and the Healing Power of the Wilderness

    The author of Salvation finds redemption and solace in the mountains

    By C. William Langsfeld | February 5, 2026

    Why Horror Is the Perfect Genre for Processing Trauma

    Why Horror Is the Perfect Genre for Processing Trauma

    Christina Ferko on the scars that drove her to a healing genre

    By Christina Ferko | February 4, 2026

    Sherlock Holmes and Me—Together Again

    Sherlock Holmes and Me—Together Again

    For decades, Jeffrey Siger wanted to write a Sherlock Holmes style mystery. But first, he needed fate to intervene.

    By Jeffrey Siger | February 4, 2026

    Isabelle Schuler on the Horrors and Contrasts of the 17th Century

    Isabelle Schuler on the Horrors and Contrasts of the 17th Century

    "No one was safe...This century was undercut at every turn by violence and death."

    By Isabelle Schuler | February 4, 2026

    A Brief History of the Detective's Vice in Crime Fiction

    A Brief History of the Detective's Vice in Crime Fiction

    Allison LaMothe on detectives "drinking unpleasant whiskey, thinking unpleasant thoughts.""

    By Allison LaMothe | February 3, 2026

    Glamorous Isolation: Why Palm Springs Is the Perfect Setting for Suspense

    Glamorous Isolation: Why Palm Springs Is the Perfect Setting for Suspense

    Kaira Rouda recommends her favorite thrillers set in Hollywood's desert hideout

    By Kaira Rouda | February 3, 2026

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    • Taipei Story
    • Ambivalence: An Education
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    • In the Realm of the Last Man: A Memoir
    • Love Machines: How Artificial Intelligence Is Transforming Our Relationships
    • The Passing of the Dragon and Other Stories
    • Tower Hill: A Plantation on the Edge of Rebellion

    Crime and the City: Osaka

    By Paul French | February 2, 2026

    The Killer Women: How a Podcast Built a Community from Isolation

    By Danielle Girard | February 2, 2026

    Adriane Leigh on Why We Are Living in the Age of the Unreliable Narrator

    By Adriane Leigh | January 29, 2026

    The Greatest Muckrakers of the Progressive Era

    The Greatest Muckrakers of the Progressive Era

    Rob Osler on how the OGs of investigative journalism exposed political and business crimes

    By Rob Osler | January 29, 2026

    Why Revenge Stories Are Hard-Wired Into Our Brains

    Why Revenge Stories Are Hard-Wired Into Our Brains

    Pat Kelly on the unshakable memory of a 1980's revenge killing.

    By Pat Kelly | January 29, 2026

    From Romance to Thrillers to Horror—and Back Again

    From Romance to Thrillers to Horror—and Back Again

    L. S. Stratton on finding the similarity in vastly disparate genres

    By L. S. Stratton | January 28, 2026

    Nalini Singh on the Many Character Archetypes of Cozies, Noir, and Thrillers

    Nalini Singh on the Many Character Archetypes of Cozies, Noir, and Thrillers

    The author of "Such a Perfect Family" finds perfect protagonists for each mystery subgenre

    By Nalini Singh | January 28, 2026

    William J. Mann on Rumors, the Press, and the Black Dahlia Murder's Enigmatic Players

    William J. Mann on Rumors, the Press, and the Black Dahlia Murder's Enigmatic Players

    An excerpt from Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

    By William J. Mann | January 27, 2026

    Val McDermid on Why She Starts New Novels in January

    Val McDermid on Why She Starts New Novels in January

    Forty books in, McDermid reflects on finding inspiration.

    By Val McDermid | January 27, 2026

    How Agatha Christie Played the

    How Agatha Christie Played the "Game-within-the-Game" in 'The Murder of Roger Ackroyd'

    The Queen of Crime played fair and played masterfully in her breakout classic.

    By John Curran | January 27, 2026

    « First‹ Previous141516171819202122Next ›Last »
    Page 18 of 208
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