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    Maria Tureaud on Translating the Trauma of Colonialism into Horror Stories

    Maria Tureaud on Translating the Trauma of Colonialism into Horror Stories

    The author of "This House Will Feed" unveils the intersection of imperialism and gothic fiction

    By Maria Tureaud | January 26, 2026

    How Psychological Thrillers Critique the American Dream

    How Psychological Thrillers Critique the American Dream

    Or, whoever has the most toys when he dies wins

    By Lauren Schott | January 23, 2026

    Entomological Horror Novels to Make Your Skin Crawl

    Entomological Horror Novels to Make Your Skin Crawl

    "[A]s long as humans have been afraid of creepy crawlies, we’ve been writing stories about them."

    By Gemma Amor | January 23, 2026

    Taking Dramatic License in Historical Fiction

    Taking Dramatic License in Historical Fiction

    Kelly Scarborough on interpreting the fragments of the past in fiction

    By Kelly Scarborough | January 22, 2026

    Making a Killing on Wall Street: Why the Corporate World Is Perfect for Thrillers

    Making a Killing on Wall Street: Why the Corporate World Is Perfect for Thrillers

    Kristine Delano on setting crime fiction in a realm of natural villainy, pressure, and power imbalance

    By Kristine Delano | January 22, 2026

    Ellie Levenson on the Beautiful Realism of Ambiguous Endings in Narratives

    Ellie Levenson on the Beautiful Realism of Ambiguous Endings in Narratives

    The author of "Room 706" shares the experimental stories and films that inspired her fiction debut

    By Ellie Levenson | January 21, 2026

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    The Neo-Gothic Manor that Inspired Angela Tomaski's Debut Novel

    By Angela Tomaski | January 20, 2026

    The Historical Implications and Fictional Possibilities of the Hindenberg Disaster

    By L. A. Chandlar | January 16, 2026

    Why to Watch This January: 'The Secret Agent'

    By Radha Vatsal | January 15, 2026

    A Brief, Disturbing History of Universal Monsters

    A Brief, Disturbing History of Universal Monsters

    Universal Monsters are a century old, but still undead and vital to the pop culture.

    By Keith Roysdon | January 15, 2026

    Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000s

    Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000s

    Michael Gonzales reflects on a cultural shift.

    By Michael Gonzales | January 15, 2026

    Thinking Outside the Cop: Using Game Wardens in Crime Fiction

    Thinking Outside the Cop: Using Game Wardens in Crime Fiction

    Sarah Crouch on the power of a criminally under-utilized character type

    By Sarah Crouch | January 13, 2026

    Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded Antagonists

    Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded Antagonists

    Isha Raya on writing LGBTQ characters who are allowed to be messy, magnificent, and murderous

    By Isha Raya | January 13, 2026

    Writing Suburban Crime Fiction in the Age of Social Media and Digital Surveillance

    Writing Suburban Crime Fiction in the Age of Social Media and Digital Surveillance

    Andrea Mara hacks how modern technology affects mystery stories

    By Andrea Mara | January 13, 2026

    The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant Today

    The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant Today

    Revisiting a boundary- and binary-breaking genre in an era of contemporary chaos

    By Margot Douaihy | January 12, 2026

    The Deadly Art of Falling in Love: Blending Romance and Crime in Literature

    The Deadly Art of Falling in Love: Blending Romance and Crime in Literature

    Letizia Lorini on crafting chemistry, dark rom coms, mixing genres, and more

    By Letizia Lorini | January 12, 2026

    « First‹ Previous151617181920212223Next ›Last »
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