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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
Essays
Gabrielle Sher On
Golems, Retellings, and
Finding Magic in Words
Featuring a cover reveal of Sher's forthcoming novel, "Odessa"
By
Gabrielle Sher
| September 23, 2025
The Best Movie Genre is One Where a Party at An Estate Goes Horribly Wrong
Cheers... to murder!
By
Olivia Rutigliano
| September 22, 2025
Crime and the City: Chengdu
A Mystery-Literary Tour of Western China
By
Paul French
| September 22, 2025
The Strange Death of Morris Markey
Mariah Fredericks considers the bizarre tale of the New Yorker writer found shot in his apartment.
By
Mariah Fredericks
| September 18, 2025
Bryn Greenwood On Crime Fiction's Obsession with Kidnapped Women
"What stands out..is how starkly gendered these stories of captivity tend to be."
By
Bryn Greenwood
| September 17, 2025
Five Pointers for Writing a Genius (Even If You Aren’t One)
"[H]ow do I write a genius level character and, more specifically, a character who is much smarter than I am?"
By
Jack Anderson
| September 12, 2025
Best Reviewed
Books of the Week
Contrary to Popular Belief,
People
Do
Just Vanish
By
Maria Malone
| September 12, 2025
On Legends, Tall Tales, and the Art of Storytelling
By
Archer Sullivan
| September 11, 2025
Jack Du Brul: What Continuing Clive Cussler's Legendary Work Taught Me About Game-Changing Novels
By
Jack Du Brul
| September 11, 2025
The Big Book Tour Backstory: On the Triumphs and Travails of Selling Your New Release, One Store at a Time
Hank Phillippi Ryan goes behind the scenes on book tour, and asks writers for their most memorable audience interactions
By
Hank Phillippi Ryan
| September 10, 2025
On Finding Comfort In Death Through Writing About Immortality
"We’re not built for infinite time, just like we’re not built for infinite money. It breaks the brain."
By
Neil Sharpson
| September 9, 2025
Hannah Mary McKinnon: A Corporate Gig Made Me a Better (Fictional) Murderer
It turns out, high-stakes jobs have a lot of pointers for how to get your characters into, and out of, hot water
By
Hannah Mary McKinnon
| September 9, 2025
The Fear and Fascination of Gothic Fiction
'[W]hat makes a story “gothic”, and why are we still fascinated by it hundreds of years after its inception?'
By
Joe Hart
| September 9, 2025
On Discord, Shared Guilt, and The Power of Collective Narration
A chorus of narrators doesn't just include the reader in the action—it implicates them.
By
Lauren Oliver
| September 5, 2025
Marriage in the Gilded Age
A Look at the Good, the Bad, and the Downright Ugly
By
Alyssa Maxwell
| September 4, 2025
Leigh Stein: Why I Wrote a Mystery without a Murder
"What if instead I wrote a gothic novel that explored another existential threat to women—the fear of aging and irrelevance?"
By
Leigh Stein
| September 3, 2025
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