• Essays

    What We Write About When We Write About the Past

    How to make historical fiction true to its time period, without making it stuffy. (Hint: the devil is in the details.)

    January 24, 2020  By Raymond Fleishchmann
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    Crimes Without Punishment: Inside the Narratives That Border True Crime

    The books pushing at the boundaries of true crime storytelling.

    January 24, 2020  By Tobias Carroll
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    No Such Thing As a Nice Guy: Reading Andrea Dworkin and Watching You

    Joe isn't a serial killer. He's a batterer. And his reform is just part of the cycle of abuse.

    January 22, 2020  By Torrey Crim
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    How to Write a Character with Dissociative Disorder When You Have Dissociative Disorder

    On Writing Trauma and Healing Through Fiction

    January 22, 2020  By L.A. Villafane
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    Searching for a Los Angeles Cop Novel of My Own

    L.A. is a city of iconic crime novels. Lee Goldberg went searching for new terrain.

    January 21, 2020  By Lee Goldberg
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    Why Montana Inspires So Many Great Crime Authors

    The big, lonesome state is the perfect setting for crime fiction—and has drawn in some of the genre's greatest talents.

    January 21, 2020  By Chad Dundas
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    Family Annihilation and
    Toxic Masculinity

    Fatal Vision, The Adversary, and the most heinous crime of all

    January 17, 2020  By Ani Katz
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    What Books Would You Most Want To See Transformed into a Film or Series?

    A Political Thriller Writer's On-screen Adaptation Wishlist

    January 17, 2020  By Chris Hauty
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    The Horrors and Ironies of Solovetsky Prison

    Inside the Soviet Union's Worst Gulag

    January 17, 2020  By James L. May
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    Golden Age Hollywood was Full of Ex-Cons

    On Booth and Tasker, the formerly incarcerated screenwriters who brought authenticity to early Hollywood crime cinema.

    January 16, 2020  By Vince Keenan
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