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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
Essays
How to Create a Character for Our (or Any Other) Unjust Time
Ron Currie on writing fiction through a dark period.
By
Ron Currie
| March 25, 2025
A Brief History of 1970s Disaster Movies
The special effects were sometimes lacking, but the stars sure turned out for these thrillers about things blowing up, catching fire, and falling apart.
By
Keith Roysdon
| March 21, 2025
The Role of Family Secrets in Crime Novels and Thrillers
How family histories and secrets serve as catalysts for criminal behavior and plot development.
By
January Gilchrist
| March 21, 2025
Detections and Digressions:
A Close Reading of P.D. James’
Devices and Desires
James set out to capture British society more broadly than her predecessors, yet her novels had more in common with the Golden Age than she ever cared to admit
By
Curtis Evans
| March 20, 2025
Golden Age Detectives in Love
Celebrating the love lives of Lord Peter Wimsey, Harriet Vane, Roderick Alleyn, Albert Campion, and more.
By
Rosanne Limoncelli
| March 20, 2025
Science Fiction, Locked Room Mysteries, and the Joy of Literary Games
Olivia Waite on rewriting the rules of the universe and solving a mystery in space
By
Olivia Waite
| March 19, 2025
Best Reviewed
Books of the Week
Writing a Character Through a Psychotic Breakdown
By
Nicci French
| March 19, 2025
Mining Gig Work for the Plot
By
Hannah Deitch
| March 18, 2025
Sherlock Holmes in the World
By
R.P. O'Donnell
| March 17, 2025
Criminals Don’t Take Holidays, Or, A Crime Writer's Take on St. Patrick's Day
"Whatever the reason, crime and holidays often go together."
By
Norman Birnbach and Tilia Klebenov Jacobs
| March 17, 2025
Scientist Storyteller: Crafting a Thin Line Between Science Fiction and Science Fact
"When an author draws upon real science—rather than “in a galaxy far, far away—where does the known world end and the imagined one begin?"
By
Michael Nayak
| March 14, 2025
Jacqueline Faber: Rewriting Kitty Genovese on the 61st Anniversary of Her Murder
Kitty Genovese's death was framed as the cost of urban callousness. But the true story is far more complicated—and contains far more humanity.
By
Jacqueline Faber
| March 13, 2025
How Emma van Straaten Wrestled with Her Mixed Race Identity and Wrote a Thriller
The author of 'Creep' reflects on her journey.
By
Emma van Straaten
| March 13, 2025
How TV Procedurals Make What’s Bad Feel So Good
On "the procedural as its own separate space in mystery storytelling."
By
Ruthie Knox and Annie Mare
| March 13, 2025
On Listening to Your Stories: Writing Across Genres in a Shelf-Specific World
Kate Maruyama on horror and...not fiction.
By
Kate Maruyama
| March 12, 2025
Why We Find Bad Friendships So Compelling, In Fiction and IRL
"The intensity of the connection becomes the intensity of the repulsion."
By
Hayley Scrivenor
| March 12, 2025
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