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  • Features

    Port-au-Prince: Crime Fiction as a Window into a Nation’s Soul

    Crime and the City visits the Haitian capital.

    September 18, 2023  By Paul French
    0

    When Characters Fake Their Own Deaths

    Exploring pseudocide in fiction and film.

    September 18, 2023  By Manning Wolfe
    0

    Native American Literature: Tribes and Tribulations

    "As a part Eastern Band Cherokee writer, it can be a tightrope dance deciding what to present to the outside world."

    September 18, 2023  By Deborah J. Ledford
    0

    A Haunting in Venice is the Best of Kenneth Branagh's Poirot Adaptations, and an Engaging Film On Its Own

    Olivia Rutigliano on the newest Agatha Christie adaptation.

    September 15, 2023  By Olivia Rutigliano
    0

    Jason Voorhees: Neurodivergent Icon?

    On finding empowerment and autistic representation in an unlikely source: Friday the 13th's iconic slasher

    September 15, 2023  By Mark Wheaton
    0

    The Freudian Gothic Fiction of Ira Levin

    "Behind the terse style, there is a poetry to the ironies of Levin’s plots, and there is a brutality that emerges from his intricate imagination."

    September 15, 2023  By James Reich
    0

    Dorothy B. Hughes, In a Lonely Place, and the Birth of the Modern Serial Killer Novel

    Hughes' masterpiece was fresh, feminist, and ahead of its time.
    It's also extraordinarily chilling.

    September 15, 2023  By Laura Picklesimer
    0

    ‘A Face in the Crowd’ Forecast Our Future – If We’d Only Been Paying Attention

    Keith Roysdon on the strange prescience of Elia Kazan's 1957 film starring Andy Griffith.

    September 15, 2023  By Keith Roysdon
    0

    The Dark Humor of Millennial Crime Capers

    30-somethings can laugh in the face of anything—including death.

    September 14, 2023  By Alice Bell
    0

    5 International Action Thrillers from Afghanistan to Shanghai

    Tori Eldridge on Ninja, Assassins, Military, Triads, and Spies

    September 14, 2023  By Tori Eldridge
    0


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