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    • True Crime
    • Daily Thrill
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    A Sense of Place and The Weight of History: On Setting and Fiction

    A Sense of Place and The Weight of History: On Setting and Fiction

    "Setting is absolutely key, an extra dimension and a character that changes as much as any other."

    By Ian Moore | March 15, 2023

    Sleeping with the Enemy: Alma Katsu's Reading List to Understand the Rise of the Oligarchs

    Sleeping with the Enemy: Alma Katsu's Reading List to Understand the Rise of the Oligarchs

    A former CIA analyst tees up why the Russian oligarchy in the UK remains a threat

    By Alma Katsu | March 14, 2023

    How Not to Dig Your Own Grave

    How Not to Dig Your Own Grave

    Observations from a Career in Death Investigation

    By Claire O'Brien | March 14, 2023

    Writing in the South—About Southern Women

    Writing in the South—About Southern Women

    Kristen Bird on the archetype and defying expectations.

    By Kristen Bird | March 14, 2023

    The First Victim of Black Bart, the Old West’s Greatest Stage Robber

    The First Victim of Black Bart, the Old West’s Greatest Stage Robber

    A look inside the first foray of the Old West's gentleman bandit.

    By John Boessenecker | March 14, 2023

    All in the Family: On the Mesmerizing Subgenre of Familial Crimes

    All in the Family: On the Mesmerizing Subgenre of Familial Crimes

    Or, six novels featuring skeletons that refuse to stay in the closet.

    By Katherine Higgs-Coulthard | March 14, 2023

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    10 New Books Coming Out This Week

    By CrimeReads | March 13, 2023

    Crime and the City: Kyoto

    By Paul French | March 13, 2023

    The Joys of Researching Your Next Novel

    By Connor Sullivan | March 13, 2023

    What I Learned from Book Clubs Reading My Novels

    What I Learned from Book Clubs Reading My Novels

    "For an invited author, book clubs are not salons."

    By Frederick Weisel | March 13, 2023

    Roadmapping Poker Face’s First-Season

    Roadmapping Poker Face’s First-Season

    Rian Johnson’s case-of-the-week mystery series plays with many different episode structures. Justin Hairston breaks them down.

    By Justin Hairston | March 10, 2023

    The Rise of Domestic Noir: A Decade After <em>Gone Girl</em>

    The Rise of Domestic Noir: A Decade After Gone Girl

    Marie Still asks authors and book mavens to share their reasons for loving today's hottest thrillers.

    By Marie Still | March 10, 2023

    Weaving Social Issues Into Your Thrillers

    Weaving Social Issues Into Your Thrillers

    Amanda Traylor on commercial thrillers, entertainment, and finding characters who are engaged with the world around them.

    By Amanda Traylor | March 10, 2023

    John Rechy Remembers His Friend, Writer Henry Turner

    John Rechy Remembers His Friend, Writer Henry Turner

    The Edgar and Anthony-nominated author lives on in his vivid characters and lyrical prose.

    By John Rechy | March 10, 2023

    Setting and Psyche: Using Unsettling Landscapes to Explore Human Darkness

    Setting and Psyche: Using Unsettling Landscapes to Explore Human Darkness

    "Place makes us in ways both big and small—it shapes our language, our occupations, the pace at which we live."

    By Erica Waters | March 10, 2023

    On the Hazy, Ethereal Noir of <em>Inherent Vice</em>

    On the Hazy, Ethereal Noir of Inherent Vice

    Ethan Warren explains how Paul Thomas Anderson figured out how to capture the essence of the "un-adaptatble" Thomas Pynchon novel.

    By Ethan Warren | March 9, 2023

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