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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
Noir/Hardboiled
A Port for the Stranded and Criminal: A Look at the Exciting Hamburg Noir Scene Today
Jan Karsten's Introduction to a New Anthology of German Mystery Stories
By
Jan Karsten
| August 5, 2025
Simon Spurrier on The Best Crime Comics, and Why We Need More Crossover Readers
Spurrier makes the case for bringing together readers of crime novel and crime comics.
By
Simon Spurrier
| July 24, 2025
The Dirty Work: The On-Going Romance Between Sex Work and Crime Fiction
David Gordon on a long tradition of entanglement.
By
David Gordon
| July 22, 2025
One Morning in Auckland
A glimpse of the city, through the eyes of Hana Westerman, the main character in Michael Bennett's New Zealand-set crime series.
By
Michael Bennett
| July 15, 2025
American Carnage: Hammett's Red Harvest and Mass Violence in the United States
"The intensity of the mass violence which afflicted the United States in the years following World War One is truly remarkable"
By
Curtis Evans
| July 14, 2025
Michael Robotham On Why We Love Stories About Gangsters
Family. Loyalty. Success. Prosperity. How did mobsters come to represent the American Dream?
By
Michael Robotham
| July 10, 2025
Best Reviewed
Books of the Week
Thom Mount on Hollywood, Fixers, and a Town Full of Secrets
By
Terry McDonell
| June 25, 2025
How To Write About the Very Recent Past In a Rapidly Changing World
By
Carl Shuker
| June 23, 2025
Rob Hart on “The Medusa Protocol” and the Challenges of Writing a Thriller Sequel
By
Nick Kolakowski
| June 23, 2025
Down the Bayou and Under the Oaks: Louisiana as a Character in Crime Fiction
N.L. Lavin and Hunter Burke on the mysteries of Louisiana.
By
N.L. Lavin and Hunter Burke
| June 16, 2025
S.A. Cosby on “King of Ashes,” Crime Epics, and the Softer Side of Monsters
"I wanted to see what [mob bosses] are like at home when they aren’t planning murders, and how their skills affected the rest of their lives.”
By
Nick Kolakowski
| June 10, 2025
Elmore Leonard: Birth of the Cool
In an excerpt from the new biography, Cooler than Cool, Leonard discovers his crime fiction voice after reading George V. Higgins, while balancing a burgeoning career in screenwriting.
By
C.M. Kushins
| June 10, 2025
Lucas Schaefer Talks Texas, Boxing, and How To Use Crime Fiction to Explore Identity
Jenny Staff Johnson interviews the debut novelist about his Austin-set epic
By
Jenny Staff Johnson
| June 6, 2025
Reading Chester Himes: Who Is the Real Star of His Show?
Grave Digger and Coffin Ed aren’t the main characters in the ‘Harlem Detectives’ series.
By
Thomas E. Ricks
| June 5, 2025
William Boyle on Jim Thompson’s 'The Getaway'
"It...feels like desperation itself. Bleeds it from around the edges. There’s something about the prose that is panicked, unrelenting.
By
William Boyle
| May 30, 2025
Because He Can: Paula Bomer on Capturing Entitlement and the Banality of Sociopathy
In her new novel, 'Stalker,' Bomer writes about an "untalented Mr. Ripley."
By
Paula Bomer
| May 28, 2025
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