• Essays

    The Great Depression Was About More Than Soup Lines

    How To Write Crime Fiction About The 1930s With Nuance

    September 28, 2018  By L. A. Chandlar
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    Why Alcoholism and Crime Fiction Are Still Entwined

    Reckoning with a Long Legacy of Drinking and Noir

    September 27, 2018  By Reed Farrel Coleman
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    The Dystopian Realities of The Feminist Thriller

    Redefining The Political Thriller in a New Era of High-Stakes Politics

    September 26, 2018  By Lisa Brackmann
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    A Thriller Author Is Always Looking for the Next Big Threat

    Tracking New Risks in a Dangerous World

    September 25, 2018  By Kyle Mills
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    The Crime Fiction of Marseille

    Mediterranean Noir in France's Raffish Port City

    September 24, 2018  By Paul French
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    The Murderous Playwrights of
    Elizabethan England

    Shakespeare, Marlowe, and Other Badly Behaved Playwrights

    September 24, 2018  By Benet Brandreth
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    Eric Ambler: A Crime Reader's Guide to the Classics

    Revisiting the Father of the Modern Thriller

    September 21, 2018  By Neil Nyren
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    Immigration Narratives in Crime Fiction

    The Good Immigrant/Bad Immigrant Myth in Fact and Fiction

    September 21, 2018  By Aya de Leon
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    Did Nabokov Really Hate Crime Fiction?

    That's What He Claimed. But the Record Suggests Otherwise.

    September 19, 2018  By Sarah Weinman
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    When Criminals Solve Crimes

    The Gangster Procedural: Defining a New Sub-Genre

    September 19, 2018  By Ryan Gattis
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