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    Dennis Lehane on Boston, Busing, and the Summer of '74

    Dennis Lehane on Boston, Busing, and the Summer of '74

    In his new novel, Lehane reckons with the city's trauma.

    By Dwyer Murphy | April 25, 2023

    Kyle Decker and Daniel Weizmann Talk Music and Mystery

    Kyle Decker and Daniel Weizmann Talk Music and Mystery

    Or, why a punk rock ethos is perfect for noir fiction.

    By Kyle Decker and Daniel Weizmann | April 25, 2023

    The Understated Brilliance of 'A Most Violent Year'

    The Understated Brilliance of 'A Most Violent Year'

    Revisiting J.C. Chandor's meditation on the underbelly of 1980's New York City

    By Zack Budryk | April 21, 2023

    The Enduring Appeal of Country Music’s Murder Ballads

    The Enduring Appeal of Country Music’s Murder Ballads

    Erica Wright on the macabre poetry of country noir.

    By Erica Wright | April 20, 2023

    A Devil’s Bargain: Is Satan a Reliable Narrator?

    A Devil’s Bargain: Is Satan a Reliable Narrator?

    "My problem was how to make the reader actually believe a time-honored scoundrel like the Devil."

    By Nicholas Fillmore | April 19, 2023

    Don Winslow on the Aeneid, Hollywood, and Reaching the End of His Career as a Novelist

    Don Winslow on the Aeneid, Hollywood, and Reaching the End of His Career as a Novelist

    Winslow's latest crime epic heads west.

    By Dwyer Murphy | April 18, 2023

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    Seeking Crime Fiction Inspiration From The Odyssey

    By Andrew Welsh-Huggins | April 17, 2023

    How Writers Lace Truth Into Their Fiction

    By Jonathan Fredrick | April 13, 2023

    Graphic Content: Talking Comics, Crime, and Craft with Benjamin Percy

    By Alex Segura | March 28, 2023

    Is Altman’s 'The Long Goodbye' the Most Overrated Crime Film of 1973?

    Is Altman’s 'The Long Goodbye' the Most Overrated Crime Film of 1973?

    The answer may depend on whether it's actually a crime film.

    By Andrew Nette | March 23, 2023

    Why 1973 Was the Year Sidney Lumet Took on Police Corruption

    Why 1973 Was the Year Sidney Lumet Took on Police Corruption

    In one year, Lumet made two films about police abuse. So how come we only seem to remember 'Serpico'?

    By Andrew Nette | March 23, 2023

    50 Years of 'The Long Goodbye'

    50 Years of 'The Long Goodbye'

    Reflections from Elliot Gould and from the long, complicated legacy of a private eye film made for a new era.

    By Matthew Redmond | March 23, 2023

    Ashes in the Aspic: Elisabeth Sanxay Holding’s Life and Short Crime Fiction

    Ashes in the Aspic: Elisabeth Sanxay Holding’s Life and Short Crime Fiction

    "Elisabeth Sanxay Holding [wrote] fiction which dared to divulge unsavory truths about her society..."

    By Curtis Evans | March 16, 2023

    On Social Justice and Crime Stories

    On Social Justice and Crime Stories

    Anne Burt looks at "four recent crime novels that seamlessly thread issues of social justice throughout their propulsive storytelling."

    By Anne Burt | March 8, 2023

    Paul Newman’s Reflection on Noir: The 25th Anniversary of <em>Twilight</em>

    Paul Newman’s Reflection on Noir: The 25th Anniversary of Twilight

    The close of the twentieth century brought a brilliant but neglected capper to generations of detective cinema.  

    By Glen Erik Hamilton | March 6, 2023

    Vicki Hendricks, <em>Miami Purity</em>, and the Making of a Neo-Noir Classic

    Vicki Hendricks, Miami Purity, and the Making of a Neo-Noir Classic

    The wild, funny, sexy noir that helped launch a new era of crime fiction.

    By Craig Pittman | February 24, 2023

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