By Lev AC Rosen | October 24, 2022
Where is the ‘Street Crime’ in ‘Crime Fiction?’
Crimes that are both everyday and yet brutal seem to be front and center only in a small subset of the mystery/thriller/suspense genre. Is that taste, craft—or something that should make us all a little uncomfortable?
By Christopher Chambers | October 21, 2022
By CrimeReads Excerpts | October 13, 2022
5 Uniquely Chicanx/Latinx Representations in Crime Fiction
These novels by writers from historically marginalized communities create rendezvous-points of cultural negotiation by appropriating major commercial genres.
By Christopher David Rosales | October 13, 2022
Why Cold War Noir is Back in Play
By M. Z. Urlocker | September 30, 2022
The Myth and the Reality of Violence in the Old West
By Chase Pletts | September 29, 2022
O Brother, Where Art Thou Contemporary Southern Women Writers?
By Kelly J. Ford | September 28, 2022
By Michael Mayo | September 27, 2022
Why Lawyers Make Such Good (and Bad) Mystery Novelists
Allen Eskens makes the case for writers with legal experience.
By Allen Eskens | September 20, 2022
