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    • True Crime
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    Mariah Fredericks on The Heartbreaking Details of Historical Fiction

    Mariah Fredericks on The Heartbreaking Details of Historical Fiction

    "[I]t’s their pain, not mine. My story, but their lives."

    By Mariah Fredericks | November 17, 2022

    Queer Criminality in <em>Swoon</em> and <em>The Living End</em>

    Queer Criminality in Swoon and The Living End

    "Thirty years later, the thorny characters and violent acts that characterize these films render them still potent and disquieting."

    By Robert Stinner | November 16, 2022

    My Path to Writing a Native American Mystery

    My Path to Writing a Native American Mystery

    D.M. Rowell (Koyh Mi O Boy Dah) on the journey to her first novel.

    By D.M. Rowell (Koyh Mi O Boy Dah) | November 16, 2022

    The Joys of Incorporating Golden Age Cliches into Contemporary Fiction

    The Joys of Incorporating Golden Age Cliches into Contemporary Fiction

    Phillip Margolin on writing "a novel that contained every cliché from the mysteries of the Golden Age"

    By Phillip Margolin | November 16, 2022

    The Beauty of a Banned Book

    The Beauty of a Banned Book

    "Let's light a bonfire, and curl up with our favorite banned books. Because when we read, we are not alone."

    By Lynn Hightower | November 16, 2022

    The Best Cars in the History of Fictional Detectives

    The Best Cars in the History of Fictional Detectives

    Craig Henderson looks at the iconic (and revelatory) rides of some of fiction's greatest detectives.

    By Craig Henderson | November 15, 2022

    Best Reviewed
    Books of the Week

    10 New Books Coming Out This Week

    By CrimeReads | November 14, 2022

    8 Great Thrillers with Effective Twists

    By Caleb Roehrig | November 14, 2022

    A Moment of Racial Reckoning in Crime Fiction

    By Ausma Zehanat Khan | November 11, 2022

    From Literature Professor to Crime Novelist

    From Literature Professor to Crime Novelist

    "[T]he hallowed halls of learning provide fertile ground for fiction."

    By Lauren Nossett | November 11, 2022

    On Writing a New Take on <em>The Thin Man</em>, Set in Space

    On Writing a New Take on The Thin Man, Set in Space

    "Nick and Nora in space. The same, but different."

    By Mary Robinette Kowal | November 11, 2022

    <em>The Story of a Cheat</em> Deserves to be Remembered

    The Story of a Cheat Deserves to be Remembered

    Looking back on Sacha Guitry's rollicking, wildly influential, and now criminally obscure 1936 crime film

    By Jesse Pasternack | November 10, 2022

    Shop Talk: Yasmin Angoe Does a Lot of Thinking and No Outlines

    Shop Talk: Yasmin Angoe Does a Lot of Thinking and No Outlines

    Crime writers talking writing routine, tools of the trade, and getting in the right head space.

    By Eli Cranor | November 10, 2022

    The Probable and the Personal: How I Grapple With Writing Violent Fiction

    The Probable and the Personal: How I Grapple With Writing Violent Fiction

    "If I turn my back on the uncomfortable, ignoring the things that ever lurk in the dark, I allow them to move unhindered..."

    By James Wade | November 10, 2022

    <em>Enola Holmes 2</em> Delivers

    Enola Holmes 2 Delivers

    With a standout sequel, Sherlock's little sister now has one of the more entertaining franchises in mystery.

    By Hector DeJean | November 9, 2022

    On Writing Nonfiction About Violence For A Young Adult Audience

    On Writing Nonfiction About Violence For A Young Adult Audience

    Four pointers to keep in mind for "presenting ugly realities" to young audiences.

    By Sarah Miller | November 9, 2022

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