By Lev AC Rosen | October 24, 2022
Decision to Leave is a Stirring Hitchcockian Neo-Noir
Olivia Rutigliano on Park Chan-wook's new mystery, South Korea's official submission to the Academy Awards
By Olivia Rutigliano | October 21, 2022
Where is the ‘Street Crime’ in ‘Crime Fiction?’
Crimes that are both everyday and yet brutal seem to be front and center only in a small subset of the mystery/thriller/suspense genre. Is that taste, craft—or something that should make us all a little uncomfortable?
By Christopher Chambers | October 21, 2022
The Devil’s in the Details: 'Reservoir Dogs' at 30
30 years later, Bruce Riordan remembers the early showing of 'Reservoir Dogs' at the Vista, and how it changed everything he thought he knew about trial preparation—and storytelling.
By Bruce Riordan | October 21, 2022
‘The Name of the Game’: The Vintage Show That Asked, What if People Magazine Writers Solved Crimes?
By Keith Roysdon | October 20, 2022
Doctors Who Write Thrillers: A Long Literary Tradition
By Cristina LePort | October 20, 2022
The Story of the Nail, or The Birth of a Writer
By Zhang Yueran | October 20, 2022
Pumpkins and Peril: Halloween Mysteries For Us Scaredy Cats
Cozy mysteries with lush autumnal settings and Halloween themes (without the terrifying stuff)
By Raquel V. Reyes | October 19, 2022
Gossip Girl, But Make It a Thriller
Gossip Girl is sometimes absurd but always enticing...by contrast, the wealth on display in a thriller can feel menacing."">"The wealth on display in a drama like Gossip Girl is sometimes absurd but always enticing...by contrast, the wealth on display in a thriller can feel menacing."
By Ann Liang | October 19, 2022
