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    • True Crime
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      • Mystery
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    How the Discovery of a Rare Pink Diamond Led One Reporter into the World of Thrillers

    How the Discovery of a Rare Pink Diamond Led One Reporter into the World of Thrillers

    Matthew Hart wrote about diamonds and gold. One day, he got the call from Brazil—an 81-carater came out of the river.

    By Matthew Hart | November 3, 2020

    My First Thriller: Scott Turow

    My First Thriller: Scott Turow

    For eight years, he wrote in thirty minute bursts on a commuter train. Then, he had himself a blockbuster novel.

    By Rick Pullen | October 29, 2020

    Finding a Mystery in the Intersection of Past and Present in New York City

    Finding a Mystery in the Intersection of Past and Present in New York City

    "Suddenly that street or avenue you walk takes on new meaning. Inhabited by people who no longer exist. Or buildings long ago torn down and replaced. A story untold."

    By Shelley Noble | October 28, 2020

    Why Using Accurate Science in Your Fiction Is So Important

    Why Using Accurate Science in Your Fiction Is So Important

    Whether you're calculating escape velocity or tracking wolverines, these are the details that will keep readers engrossed.

    By Alice Henderson | October 27, 2020

    The Most Haunting Settings in Crime Fiction

    The Most Haunting Settings in Crime Fiction

    "I’m a fan of a more traditional setting...stormy weather, isolated places and the darkness that hides the evil from sight."

    By Max Seeck | October 26, 2020

    Rubem Fonseca: Modernist Crime Fiction's Reluctant Star

    Rubem Fonseca: Modernist Crime Fiction's Reluctant Star

    Fonseca captured the life of Rio de Janeiro like nobody else. Revisiting his work now, after his death, is an uncanny experience.

    By Ela Bittencourt | October 23, 2020

    Best Reviewed
    Books of the Week

    • Sleuth-Hound: The Case of the Real Sherlock Holmes
    • Emperor of Nothing: The Making of Larry David
    • I Can't Stop Thinking about Horses and Sex
    • Queen of Lombard Street
    • Paradise Burns
    • Doppelgänger
    • Hanging and Burning: A King Oliver Novel
    • Our Arab: On Longing, Belonging, and Hope
    • The Turning of Sally-Mae

    Mixing Genres Is All About Messing With Structure

    By Stuart Turton | October 22, 2020

    Bringing the Traditional Murder Mystery to India

    By RV Raman | October 22, 2020

    Crime Writers Who Hate Writing About Crime:
    A Conversation with Layne Fargo and Wendy Heard

    By Layne Fargo | October 16, 2020

    <em>The Westing Game</em> may be a murder mystery—but it’s also a ghost story.

    The Westing Game may be a murder mystery—but it’s also a ghost story.

    On remembrance, inheritance, and legacy in one of the most beloved children's novels of all time.

    By Olivia Rutigliano | October 15, 2020

    The Agatha Christie Centennial: 100 Years of <em>The Mysterious Affair at Styles</em>

    The Agatha Christie Centennial: 100 Years of The Mysterious Affair at Styles

    Christie's debut novel was famously rejected by a host of publishers. Many, many editions later, it's an iconic mystery.

    By J. Kingston Pierce | October 15, 2020

    I Didn't Set Out to Write a Book About the Argentine Scrabble Mafia But That's What I've Done

    I Didn't Set Out to Write a Book About the Argentine Scrabble Mafia But That's What I've Done

    Discovering a crime novel among the Saturday afternoon set in the basement of the Polish Club on Borges Street

    By Daniel Tunnard | October 15, 2020

    Five Tips for Writing a Dual Narrative Mystery

    Five Tips for Writing a Dual Narrative Mystery

    Presenting readers with two timelines can be highly rewarding. But your craft needs to be sharp to pull it off.

    By Heather Young | October 15, 2020

    Justice for the Invisibles, by the Invisibles: A Brief History of Nontraditional Voices in Crime Fiction

    Justice for the Invisibles, by the Invisibles: A Brief History of Nontraditional Voices in Crime Fiction

    American crime stories featuring poor people and nontraditional voices are as old as Poe’s Dupin. And now, they're finally trending.

    By Christopher Chambers | October 14, 2020

    In crime fiction, anyone can be a murderer. That's what's so great about it.

    In crime fiction, anyone can be a murderer. That's what's so great about it.

    Lisa Jewell explores toxic masculinity in her latest thriller, but takes a stand for equal opportunity killing in the genre at large.

    By Lisa Jewell | October 13, 2020

    James Crumley's Unofficial Rules for Writing

    James Crumley's Unofficial Rules for Writing

    Craft lessons distilled from one of crime fiction's all-time greats.

    By Dwyer Murphy | October 12, 2020

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