• Craft

    Yeah Noir: Discovering New Zealand Crime Fiction

    Four Kiwi authors you should be reading now.

    November 1, 2022  By Jacqueline Bublitz
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    What Can We Learn From A 1794 Novel About Turning Points In Crime Fiction?

    "The reader can see the seed of many other stories of crime fiction in Caleb Williams..."

    November 1, 2022  By Heather Redmond
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    Erika T. Wurth on Writing Native Horror During a Horror Renaissance

    "[T]here’s something compelling about a genre that allows people satisfaction, potentially, with an unhappy ending..."

    October 31, 2022  By Erika T. Wurth
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    Why I Write Feminist Fairy Tales

    Or, how I gave up on "having it all" and found a new truth in writing darkness.

    October 27, 2022  By Menna Van Praag
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    Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

    And why there's no point in trying to organize a bookshelf.

    October 25, 2022  By CrimeReads 
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    A Writer Confronts the South’s Tradition of Racist Terror

    Or, why I was afraid to bring my daughter to Alabama

    October 25, 2022  By Ousmane Power-Green
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    The Story of the Nail, or The Birth of a Writer

    "No one needs this story. It’s only important to me."

    October 20, 2022  By Zhang Yueran
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    Gossip Girl, But Make It a Thriller

    "The wealth on display in a drama like Gossip Girl is sometimes absurd but always enticing...by contrast, the wealth on display in a thriller can feel menacing."

    October 19, 2022  By Ann Liang
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    A Doctor, A Deduction, and A Death Averted

    How doctor and writer Simon Stephenson's love for Sherlock Holmes helped him save his mother's life.

    October 19, 2022  By Simon Stephenson
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    Dead Men Do Talk Back: Taking Inspiration from the Film "The Ghost and Mrs. Muir"

    Or, on listening to the voices in our heads.

    October 18, 2022  By Cleo Coyle
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