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    • Features
      • Essays
      • Interviews
      • Reading Lists
      • New Nonfiction
    • Culture
      • TV & Film
      • Podcasts
      • Craft
      • Awards/Festivals
    • True Crime
    • Daily Thrill
    • Genres
      • Mystery
      • Noir/Hardboiled
      • Suspense
      • Espionage/Thriller
      • Legal/Procedural
    • Literary Hub
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    Crafting the Perfect Setting<br> for Noir

    Crafting the Perfect Setting
    for Noir

    Brendan Duffy on Atmospheric Settings and the Texture of Reality

    By Brendan Duffy | April 13, 2018

    How to Reinvent Yourself<br> as a Thriller Writer

    How to Reinvent Yourself
    as a Thriller Writer

    Nina Sadowsky on Artistic Reinvention and Her Many Careers

    By Nina Sadowsky | April 12, 2018

    How to Rescue a Hostage

    How to Rescue a Hostage

    Researching the Dark World of Kidnappings and Hijackings

    By KJ Howe | April 6, 2018

    How to Write the <br>Perfect Mystery

    How to Write the
    Perfect Mystery

    Writing Advice from the Greats of Crime Fiction

    By CrimeReads | April 5, 2018

    Mystery's First Great Historian

    Mystery's First Great Historian

    Sarah Weinman on the Man Who Launched the Genre's Legends

    By Sarah Weinman | April 5, 2018

    All Novelists Are Con Artists

    All Novelists Are Con Artists

    Magic, Misdirection, and the Search for the Perfect Mark

    By Michael Kardos | April 3, 2018

    Best Reviewed
    Books of the Week

    • Will and Attention: A Memoir
    • The AGI Chronicles: The Inside Story of the Race to Create an Artificial Superintelligence
    • Luna, Phoenix, Queen
    • Music Against the Night
    • Peck & Peck
    • The Best Kind of American: A True Story of Murder, War, and America's Undoing in the Middle East
    • The End of Everything
    • Morbid: Debunking Modern Longevity Science
    • American Socialist: The Life and Legacy of Eugene V. Debs
    • Solace House

    Why Comedy Is the Most
    Subversive Art

    By Derek Miller | April 2, 2018

    Your Guide to the Essential
    Crime TV of April 2018

    By Dwyer Murphy | March 30, 2018

    Writing in the Shadow of Graham Greene

    By Paul Vidich | March 29, 2018

    The Transformative Power of<br> Crime Scene Dioramas

    The Transformative Power of
    Crime Scene Dioramas

    On the Nutshell Studies, Poetry, and the Art of Restraint

    By Erica Wright | March 28, 2018

    British TV's 9 Most Powerful<br> Female Detectives

    British TV's 9 Most Powerful
    Female Detectives

    From Helen Mirren to Thandie Newton, Strong Women Sleuths

    By Cara Hunter | March 28, 2018

    What Life Is Really Like<br> on the Crime Beat

    What Life Is Really Like
    on the Crime Beat

    When Your First Job Is Crime Reporting in Savannah, Georgia

    By Christi Daugherty | March 26, 2018

    What Can Crime Writers Learn From Screenwriting?

    What Can Crime Writers Learn From Screenwriting?

    Michelle Frances on the Commonalities Between Script and Prose

    By Michelle Frances | March 26, 2018

    A Lifetime of Bombs

    A Lifetime of Bombs

    Thomas Perry on Explosives and the Questions that Haunt Him

    By Thomas Perry | March 23, 2018

    The Subtle, Menacing Noirs<br> of Laura Lippman

    The Subtle, Menacing Noirs
    of Laura Lippman

    Laura Lippman and Alex Segura talk classic crime, crossing boundaries, and the art of the ending

    By Alex Segura | March 23, 2018

    The Grifters and Con Artists<br> of Nightmare Alley

    The Grifters and Con Artists
    of Nightmare Alley

    The Rise and Fall (and Rise) of a Noir Classic

    By Andrew Nette | March 21, 2018

    « First‹ Previous251252253254255256257Next ›
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