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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
TV & Film
Confessions of a
True Crime Addict
Our appetite for crime shows, and their loosely fictionalized cousins, only continues to grow...
By
Matthew Farrell
| September 4, 2020
Why
The Sting
Is Still the Ultimate Grifter Movie
In George Roy Hill's legendary confidence game, seeing is both believing and make-believing.
By
Olivia Rutigliano
| August 27, 2020
The Greatest Crime Film of All-Time: The Third Man
Graham Greene's postwar Vienna crime opus takes center stage.
By
Otto Penzler
| August 24, 2020
What Is the Canadian Dream? And How Do You Write About It?
In part two of a roundtable discussion, women crime authors discuss systemic injustice, police brutality, and pandemic writing.
By
Lisa Levy
| August 21, 2020
What I Learned About Myself While Tallying The Body Count of Ozark's First Season
Why do we have such a good time watching the spectacle of on-screen violence?
By
David Thomson
| August 19, 2020
Seven Thrillers About Filmmakers and Subversive Art
A new trend features feminist filmmakers and behind-the-scenes players subverting genres long tarnished by misogyny.
By
Kate Reed Petty
| August 14, 2020
Best Reviewed
Books of the Week
My First Thriller: David Morrell
By
Rick Pullen
| August 13, 2020
Counting Down the Greatest Crime Films of All-Time: # 2
By
Otto Penzler
| August 10, 2020
My Life in True Crime
By
Kim Powers
| August 6, 2020
The 35 Most Iconic Caper Movies, Ranked
They're like heist movies but more charming, and also sometimes goofy, and occasionally confusing, but in a sexy way.
By
Olivia Rutigliano
| August 5, 2020
Counting Down the Greatest Crime Films of All-Time: #3
Chinatown (1974)
By
Otto Penzler
| July 30, 2020
The 50 Most Iconic Heist Movies, Ranked
It's time for one last job—and that job is deciding which heist movie is the greatest of all-time.
By
Olivia Rutigliano
| July 29, 2020
How Film Noir Will Forever Change Your Worldview
Decades later, Loren D. Estleman is still under the spell of that essential art form: the film noir.
By
Loren D. Estleman
| July 28, 2020
It's Time for More Period Dramas to Embrace the Diversity of People of Color
Un-Whitewashing the Past
By
Radha Vatsal
| July 27, 2020
The Real Life Crimes Behind Ida Lupino's
The Hitch-Hiker
This 1953 classic noir, the first to be directed by a woman, was based on the chilling exploits of a cheerful sociopath.
By
Harold Schechter
| July 27, 2020
All in a Day's Work: Why Do the Parker Novels Still Resonate So Powerfully?
Fifty years later, Donald Westlake's passion for the logistics of crime captures our imaginations.
By
Nick Kolakowski
| July 24, 2020
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