Essays

From Literature Professor to Crime Novelist

"[T]he hallowed halls of learning provide fertile ground for fiction."

November 11, 2022  By Lauren Nossett
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On Writing a New Take on The Thin Man, Set in Space

"Nick and Nora in space. The same, but different."

November 11, 2022  By Mary Robinette Kowal
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The Probable and the Personal: How I Grapple With Writing Violent Fiction

"If I turn my back on the uncomfortable, ignoring the things that ever lurk in the dark, I allow them to move unhindered..."

November 10, 2022  By James Wade
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Enola Holmes 2 Delivers

With a standout sequel, Sherlock's little sister now has one of the more entertaining franchises in mystery.

November 9, 2022  By Hector DeJean
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On Writing Nonfiction About Violence For A Young Adult Audience

Four pointers to keep in mind for "presenting ugly realities" to young audiences.

November 9, 2022  By Sarah Miller
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Threats Around Every Corner—Or, On The What If Questions of Storytelling

"My heightened way of being is what drew me to write fiction."

November 9, 2022  By Lynne Reeves
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Adam Oyebanji On His Job In Counterterrorism Finance

"Suffice it to say that playing hide and seek with a sanctioned person’s assets can get really (and I mean really) complicated."

November 7, 2022  By Adam Oyebanji
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Boston's Combat Zone: Why Two Authors Were Drawn to the Same 45 Year-Old Crime

A 1976 murder captured the interest of two Boston-area authors, who took very different approaches to the story.

November 4, 2022  By Gabriel Valjan and Jan Brogan
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My First Thriller: S.A. Cosby

The making of a crime fiction sensation.

November 3, 2022  By Rick Pullen
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Simenon in America

How Georges Simenon escaped a reckoning at the end of WWII by fleeing to the United States.

November 3, 2022  By Gregory Galloway
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