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    • True Crime
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    J.T. Ellison on Fear, Vulnerability, and the Deep Potential of Domestic Suspense

    J.T. Ellison on Fear, Vulnerability, and the Deep Potential of Domestic Suspense

    The author of 'You Know Why' explores the sexist dismissals and enduring allure of a crime subgenre

    By J. T. Ellison | August 25, 2026

    Crime and the City: Fire Island

    Crime and the City: Fire Island

    Summer mysteries and crime novels set on the legendary barrier island.

    By Paul French | August 24, 2026

    Jess Lourey on Paul Michael Stephani and Writing a Novel Inspired by a Serial Killer

    Jess Lourey on Paul Michael Stephani and Writing a Novel Inspired by a Serial Killer

    The author of The Crying Killer shifts our focus from killers to the lives of their victims

    By Jess Lourey | August 21, 2026

    Liv Constantine on Marriage Thrillers and Crafting Dangerous Relationships in Art

    Liv Constantine on Marriage Thrillers and Crafting Dangerous Relationships in Art

    The author of Promise Me Never explores the allure of threatened couples in film, folktales, and fiction

    By Liv Constantine | August 21, 2026

    The Long, Strange, Sometimes Bloody History of Poker in America

    The Long, Strange, Sometimes Bloody History of Poker in America

    The authors of 'Poker Wars' lay out the story of a game and an obsession.

    By Philip Guitar and Jim Martyka | August 20, 2026

    Clay McLeod Chapman on Why Horror and Romance Work So Well Together

    Clay McLeod Chapman on Why Horror and Romance Work So Well Together

    Exploring the thematic intersections of bodice-rippers and chest-bursters

    By Clay McLeod Chapman | August 20, 2026

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    The Other Woman’s Name: The Triangular Love Saga of Dorothy L. Sayers, John Cournos and Helen Kestner

    By Curtis Evans | August 19, 2026

    The Darker Side of Burbank, California

    By James T. Bartlett | August 19, 2026

    Thomas Kenniff on Writing a Prosecutor After Twenty Years as a Defense Attorney

    By Thomas Kenniff | August 19, 2026

    Jennifer Givhan on Monstrous Mothers, Headless Women, and Writing Symbolic Horror

    Jennifer Givhan on Monstrous Mothers, Headless Women, and Writing Symbolic Horror

    The author of The Sleeping Sisters analyzes the tale of the girl with the green ribbon

    By Jennifer Givhan | August 18, 2026

    Max Doty on Concepting, Erasure, and Building a House in His New Novel

    Max Doty on Concepting, Erasure, and Building a House in His New Novel

    The author of The House That Eats the Dead imagines the narrative possibilities of a destructive setting

    By Max Doty | August 18, 2026

    Brianna Labuskes on Reckoning and Using Memory as a Tool in Crime Fiction

    Brianna Labuskes on Reckoning and Using Memory as a Tool in Crime Fiction

    How to capture the fearsomeness and fallibility of memory in mystery novels

    By Brianna Labuskes | August 17, 2026

    Charles-Henri Lavielle on Toulouse, Settings, and Seeing Cities Anew Through Noir

    Charles-Henri Lavielle on Toulouse, Settings, and Seeing Cities Anew Through Noir

    From the introduction to Toulouse Noir, edited by Charles-Henri Lavielle

    By Charles-Henri Lavielle | August 17, 2026

    Vampires Are Parasites. <br>Why Not Make Them Worms?

    Vampires Are Parasites.
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    A.P. Thayer on worm girlfriends and vampire lore

    By A.P. Thayer | August 17, 2026

    Filmmaker Kiyoshi Kurosawa on His New Locked Room Mystery, 'The Samurai and The Prisoner'

    Filmmaker Kiyoshi Kurosawa on His New Locked Room Mystery, 'The Samurai and The Prisoner'

    Radha Vatsal and Kurosawa discuss the heady new mystery set in 16th-century Japan.

    By Radha Vatsal | August 14, 2026

    Rory Cormac on the Mavericks of Britain's Cold War Era Forgery Empire

    Rory Cormac on the Mavericks of Britain's Cold War Era Forgery Empire

    Excerpted from Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line

    By Rory Cormac | August 13, 2026

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