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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
The Latest
What Life Is Really Like
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What Can Crime Writers Learn From Screenwriting?
Michelle Frances on the Commonalities Between Script and Prose
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Michelle Frances
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Remembering Philip Kerr
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The 7 Creepiest Manor Houses
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| March 23, 2018
A Lifetime of Bombs
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Thomas Perry
| March 23, 2018
The Subtle, Menacing Noirs
of Laura Lippman
Laura Lippman and Alex Segura talk classic crime, crossing boundaries, and the art of the ending
By
Alex Segura
| March 23, 2018
Best Reviewed
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The Birth of the Cuban-American Mob
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| March 22, 2018
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Christina Lynch
| March 22, 2018
The Joys and Sorrows of Finishing a Series
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Motherhood Does Not Kill Creativity
Natasha Bell on the Double Standards for Women Artists
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Natasha Bell
| March 21, 2018
Jonathan Kellerman and the Dark Psychology of Crime
Probing the Mind Behind Alex Delaware
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Mark Rubinstein
| March 21, 2018
Florida Crime Fiction:
A Guide to the Madness
11 Great Authors Defining Noir in the Sunshine State
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Steph Post
| March 20, 2018
Glasgow: City of Crime
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Alan Parks
| March 20, 2018
When Spying Is Cheap and Easy, Paranoia Is the New Normal
Alex Berenson on Spying in the Information Age
By
Alex Berenson
| March 20, 2018
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