By Lev AC Rosen | October 24, 2022
Where is the ‘Street Crime’ in ‘Crime Fiction?’
Crimes that are both everyday and yet brutal seem to be front and center only in a small subset of the mystery/thriller/suspense genre. Is that taste, craft—or something that should make us all a little uncomfortable?
By Christopher Chambers | October 21, 2022
Which International Thriller Should You Binge This Weekend?
Would you rather go dark in an English mining town or find the meaning of life on the run with an Australian bank robber? Or maybe we can interest you in some drugs.
By Dwyer Murphy | October 21, 2022
Doctors Who Write Thrillers: A Long Literary Tradition
By Cristina LePort | October 20, 2022
The Story of the Nail, or The Birth of a Writer
By Zhang Yueran | October 20, 2022
Pumpkins and Peril: Halloween Mysteries For Us Scaredy Cats
By Raquel V. Reyes | October 19, 2022
Gossip Girl, But Make It a Thriller
Gossip Girl is sometimes absurd but always enticing...by contrast, the wealth on display in a thriller can feel menacing."">"The wealth on display in a drama like Gossip Girl is sometimes absurd but always enticing...by contrast, the wealth on display in a thriller can feel menacing."
By Ann Liang | October 19, 2022
Dead Men Do Talk Back: Taking Inspiration from the Film "The Ghost and Mrs. Muir"
Or, on listening to the voices in our heads.
By Cleo Coyle | October 18, 2022
