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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
Craft
History Is Shouting…All You Need to Do Is Listen
"What could a story set in 1913 have to say about life in 2022?" Plenty!
By
Laura Ann Gilman
| November 2, 2022
Yeah Noir: Discovering New Zealand Crime Fiction
Four Kiwi authors you should be reading now.
By
Jacqueline Bublitz
| November 1, 2022
What Can We Learn From A 1794 Novel About Turning Points In Crime Fiction?
Caleb Williams..."">"The reader can see the seed of many other stories of crime fiction in
Caleb Williams
..."
By
Heather Redmond
| November 1, 2022
Erika T. Wurth on Writing Native Horror During a Horror Renaissance
"[T]here’s something compelling about a genre that allows people satisfaction, potentially, with an unhappy ending..."
By
Erika T. Wurth
| October 31, 2022
Why I Write Feminist Fairy Tales
Or, how I gave up on "having it all" and found a new truth in writing darkness.
By
Menna Van Praag
| October 27, 2022
Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night
And why there's no point in trying to organize a bookshelf.
By
CrimeReads
| October 25, 2022
Best Reviewed
Books of the Week
A Writer Confronts the South’s Tradition of Racist Terror
By
Ousmane Power-Green
| October 25, 2022
The Story of the Nail, or The Birth of a Writer
By
Zhang Yueran
| October 20, 2022
Gossip Girl
, But Make It a Thriller
By
Ann Liang
| October 19, 2022
A Doctor, A Deduction, and A Death Averted
How doctor and writer Simon Stephenson's love for Sherlock Holmes helped him save his mother's life.
By
Simon Stephenson
| October 19, 2022
Dead Men Do Talk Back: Taking Inspiration from the Film "The Ghost and Mrs. Muir"
Or, on listening to the voices in our heads.
By
Cleo Coyle
| October 18, 2022
Briana Cole on Sex, Psychological Thrillers, and the Stories We Tell Ourselves
"I wanted to touch on how we can hide behind this image or identity of what we want to present to people, sometimes masking our true selves from others..."
By
Molly Odintz
| October 17, 2022
On Writing A Five Book Series That Can Be Read In Any Order
Lee Matthew Goldberg on the art of writing a series in which each can be read as a standalone.
By
Lee Matthew Goldberg
| October 17, 2022
Thrillers Featuring Characters with Memory Disorders
How realistic are these recent psychological thrillers? A scientist and crime writer considers.
By
Bradeigh Godfrey
| October 14, 2022
5 Uniquely Chicanx/Latinx Representations in Crime Fiction
These novels by writers from historically marginalized communities create rendezvous-points of cultural negotiation by appropriating major commercial genres.
By
Christopher David Rosales
| October 13, 2022
Get Some Perspective: How Crime Novels Use POV to Reveal Their True Mysteries
Adam Hamdy on the delicate craft of perspective in suspense
By
Adam Hamdy
| October 11, 2022
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