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Features
Essays
Interviews
Reading Lists
New Nonfiction
Culture
TV & Film
Podcasts
Craft
Awards/Festivals
True Crime
Daily Thrill
Genres
Mystery
Noir/Hardboiled
Suspense
Espionage/Thriller
Legal/Procedural
Literary Hub
Book Marks
Log In
Essays
Joseph Moldover on What Being a Psychologist Taught Him About Writing Crime
Mulling the value of being proven wrong in writing and life
By
Joseph Moldover
| April 21, 2026
Brittany Butler on Joining the CIA, Tradecraft, and Writing True-to-Life Spy Fiction
The author of
The Patriot's Daughter
examines the intersection of espionage and characterization
By
Brittany Butler
| April 21, 2026
Ande Pliego on the Marvelous Libraries That Inspired Her New Novel
The author of
The Library After Dark
treks through the Wren, the Hofbibliothek, and other bookish buildings
By
Ande Pliego
| April 20, 2026
Dark Fairy Tales: Amin Ahmad On Nostalgia, Illusions, and the Comfort of Serial Killers
"[S]tories about serial killers seemed to occupy an archetypal niche in our imaginations and serve a cathartic function."
By
Amin Ahmad
| April 20, 2026
How David Mills Helped Bring 'NYPD Blue' to Its Artistic Apex
And how a phone call from Jesse Jackson to the president of ABC helped get him in the writers' room.
By
David Masciotra
| April 17, 2026
How the Cozy Genre Took Over the World
Randee Dawn on why cozies and cottagecore appeal in our nightmarish reality.
By
Randee Dawn
| April 17, 2026
Best Reviewed
Books of the Week
Luke Goebel on Weaponized Fatigue and the Necessity of Violence in His New Novel
By
Luke Goebel
| April 16, 2026
Nicholas George on Setting Mysteries in Dynamic Locations
By
Nicholas George
| April 15, 2026
On Blending Religion and Horror-Comedy
By
Kathleen Rhodes
| April 15, 2026
James Wolff on Why the World of Espionage Is Impossibly Messy
'I have come to the conclusion that this sense of uncertainty and ambiguity lies at the heart of the profession.'
By
James Wolff
| April 14, 2026
Heather Harper Ellett on Narrative Therapy, Southern Noir, and "Re-authoring" Our Lives
The author of 'Ain't Nobody Nobody' on changing endings.
By
Heather Harper Ellett
| April 14, 2026
The Celebrity Compound as Contemporary Gothic Mansion
Candice Wuehle on the annals of gothic fiction and the conservatorship of Britney Spears.
By
Candice Wuehle
| April 13, 2026
Queerness and Visibility in Body Horror
"Queerness thrives in horror, specifically body horror, because the transgressive is the rule, not the exception."
By
Carly Racklin
| April 10, 2026
The Character Flaws That Drive the Most Compelling Domestic Thrillers
Ava Roberts on the flaws that ratchet up the drama.
By
Ava Roberts
| April 10, 2026
Connor Martin on Writing Spy Thrillers Grounded in Real-World Foreign Policy
The author of
The Silver Fish
shares how to get government right in crime fiction
By
Connor Martin
| April 9, 2026
Rebecca Sharpe on Road Trips in Fiction, Freedom, and Murder Thrillers
The author of
Harmless Women
reveals the narrative possibilities of the open road
By
Rebecca Sharpe
| April 8, 2026
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